NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

How to - Music Biz

African musicians share strategies amid coronavirus

17 Mar 2020 - 17:12

cc-img flag-img

The coronavirus pandemic has shaken up most markets around the world, including the music industry. Many performing artists and event organisers, among others, may be on the brink of bankruptcy as national lockdowns prohibiting large gatherings like concerts are instated around the world. Although Africa isn’t the worst-hit, most experts in the field of infectious diseases agree that the continent will experience similar outbreaks as in other countries.

Jah Prayzah will use the coronavirus downtime positively. Photo: Facebook

In South Africa, the Johannesburg Stock Exchange plunged 12% on 16 March after President Cyril Ramaphosa declared a national state of disaster and imposed tough restrictions a day earlier. A possible collapse of the economy could be on the horizon and many artists may find themselves on the breadline.

Music In Africa spoke to a number of African musicians, and one artist manager, about how the coronavirus has affected their livelihood and what they plan to do to weather the storm.

Here's what they had to say:

Pilani Bubu (Afro-soul singer, South Africa)

“I had to shift my travel plans to later in the year. I am sad that I can’t travel earlier but I am also adapting to the climate and rethinking my deliverables for the year. I am looking at changing my focus to digital content and finding time to write and research other work that I had planned for later in the year. I guess I am making shifts but the cancellations will definitely affect my projected income and the progress I have been making on my latest project. I am hoping the cure for the virus will be found soon. The coronavirus lockdown feels like time is standing still and income will be delayed for artists. The virus as a whole will have a crippling effect on economies globally. We hope that banks, landlords and debtors will be lenient to their artist tenants, and clients as a whole. This is a time where humility and a sense of humanity needs to come in and help us all."

Kyekyeku (highlife bandleader, Ghana)

"I am in France currently and was due to be in Ghana in April, but since there is a lockdown and most EU borders are closed for the next two or three weeks, that changes my plans, which were basically to be in Ghana and produce an album. I am taking online courses in art and design as I want to have the tools to make the artwork for my new album. I am also listening to a lot to Ghanaian traditional poetry as it provides inspiration for lyrics. The big news is that my band is changing its outlook with a new stage name and so these are welcoming times to stay home and design, and plan and do administrative work like speaking with record labels about the new project."

Wezi (singer-songwriter, Zambia)

“Right now, it’s important to be proactive in the fight against coronavirus for Zambians. We as artists have the task to make sure the massage is sent out to our followers on how to prevent infection, because as of now, there are no confirmed cases here in Zambia. The only way to keep it this way is to work hand in hand with health authorities and share adequate information about the disease on how to avoid getting infected. I am impressed that the Ministry of Health translated its coronavirus brochures into different languages. That way families and friends can have conversations and be proactive in the fight against this global pandemic. As to how I am generating an income during this period, I am selling my music online and hard copies to keep some income coming in.”

Makadem (Afro-fusion musician, Kenya)

“I left Kenya for a nyatiti winter spring tour, starting with a collaborative Italian circuit dubbed Uhuru Republic alongside an Italian DJ and musicians. We performed in Geneva, Perugia, La Spezia and Turin. All this was in February and successful. Then I travelled to Denmark to wait for the rest of the concerts, which were to start in March but this is when all hell broke loose. I’m now stuck in Copenhagen with no concert organisers that brought me. I was supposed to perform in Trondheim (Norway), Leffinge (Belgium) and Stuttgart (Germany). All these events have been cancelled due to the coronavirus. All Denmark borders have been closed for a month. Artists here have come up with a live performance website to try and earn money from music enthusiasts watching and this is what I’m planning to do. I also have a recording for a song I’ve been paid to compose."

Kearoma Rantao (jazz singer, Botswana)

“It’s the new reality of life that just hit us. I lost two international opportunities, the ITB Berlin in Yogyakarta, Indonesia, and the Cape Town International Jazz Festival. Fortunately, I have been in the studio working on my new music, so I will be releasing songs soon and focus on online uploads for streaming and sales. That’s all one can do for now, and isn’t this the right time to write new music ? Let's hope for the best in beating the coronavirus."

Keen Mushapaidze (manager, Jah Prayzah, Zimbabwe)

“We were supposed to be performing in Botswana on 28 March and the event was postponed until the end of October. I understand Botswana cancelled all gatherings. We can’t really say it is disadvantaging us because it’s for the general health and welfare of people as well as us. Jah Prayzah is a creative and there’s really no free time for him, even when he is at home. He is always planning on the next thing. We will use this period positively for our business.”

Lucius Banda (Malawi)

"It's a difficult time for us as African artists who solely survive on live shows, with the added problem of piracy on our music sales. As a seasoned artist, I obviously have other small activities that can bring us food on the table. But I cry for young artists."

Please log in to post a comment.

Most popular

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media