NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

African stars to play Glastonbury 2022

06 Jun 2022 - 11:02

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The organisers of Glastonbury Festival in the UK have announced the full details of this year’s line-up, with a host of leading African artists securing performance slots on the five-day programme.

Burna Boy, Tems, Sampa the Great, Seun Kuti and Angélique Kidjo will play at Glastonbury Festival 2022.

First held in September 1970, the festival is a celebration of contemporary performing arts. Apart from music, it hosts art forms like dance, comedy and theatre.

Africa’s contingent at the 2022 edition includes music legend Angélique Kidjo (Benin), Afrobeat musician Seun Kuti and his Egypt 80 band (Nigeria), Afro-fusion star Burna Boy (Nigeria), ‘Essence’ singer Tems (Nigeria) and rapper Sampa the Great (Zambia).

This year’s edition, which will be the first since 2019 due to the COVID-19 pandemic, is scheduled for 22 to 26 June. Billie Eilish and Kendrick Lamar will headline the Pyramid Stage alongside Paul McCartney. Diana Ross has been confirmed for the Sunday legends’ slot.

Kidjo, who boasts five Grammy Awards, is the most notable African performer at Glastonbury 2022. She will grace the Pyramid stage alongside other members of Les Amazones d'Afrique, the contemporary world music supergroup formed in Mali in 2015. She will also play the West Holts stage on 26 June. The singer, who has collaborated with everyone from Burna Boy to Yo-Yo Ma, will be performing songs from her extensive catalogue, including her most recent album Mother Nature.

Also playing the West Holts stage is Seun Kuti and Egypt 80. Their Glastonbury set will find the Afrobeat ensemble in the middle of a tour of Europe and the US this summer. The band performed at the recently concluded MTN Bushfire festival in eSwatini.

“I’m excited to return to touring after too long away,” Kuti said. “My band Egypt 80 and I look forward to retaking the world stage, and hope as always that our music will help make the world a more generous, kinder and more liveable place, not only to fans but to its underrepresented people.”

Tems’ Glastonbury performance adds to a growing list of 2022 achievements, include scoring three nominations at this year’s BET Awards. Sampa the Great will go to Glastonbury after her performance at the Forum Melbourne in Australia early this month.

Meanwhile, Gambian-British rapper Pa Salieu, who was named the winner of BBC Music’s Sound of 2021 critics’ poll, is among the new additions to the line-up. He joins the likes of British-Nigerian rapper Little Simz and 2021 Hyundai Mercury Prize winner Arlo Parks, who is of Nigerian, Chadian and French descent.

The full Glastonbury Festival line-up is available here.

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