NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Afrobeats drives 114% music boom in sub-Saharan Africa – Spotify

05 Dec 2024 - 12:30

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Afrobeats has driven a 114% growth in music consumption across sub-Saharan Africa, outpacing other regions. This is according to Spotify’s 2024 Wrapped report, an annual data-driven review of global music and podcast listening trends on the platform.

Nigerian singer Asake is the most-streamed artist in sub-Saharan Africa, according to Spotify’s latest Wrapped report.

The report crowns Nigerian singer Asake as the most-streamed artist in sub-Saharan Africa, a spot previously held by fellow Nigerian popstar Burna Boy.

Burna Boy drops to number two, with Seyi Vibez in fourth place. Rema claims the fifth spot, while Davido and Wizkid are also featured in the top 10, ranking sixth and seventh, respectively, with Bnxn completing the list.

Chike with ‘Egwu’ leads the top-streamed tracks list, followed by Asake’s ‘Lonely At The Top’. Ayo Maff secures the third spot with ‘Dealer’ while Odumodublvck’s Black Sherif-assisted ‘Wotowoto Seasoning ranks fourth. Burna Boy takes the fifth position with ‘Higher’, Seyi Vibez follows closely with ‘Different Pattern’, and ‘Tshwala Bam’, TitoM’s collaboration with S.N.E & EeQue, grabs the seventh spot. At number eight is Kabza De Small’s ‘Imithandazo’, featuring Young Stunna, DJ Maphorisa, Sizwe Alakine, and Umthakathi Kush. Ayra Starr’s ‘Commas’ takes the ninth spot, while Young Jonn rounds out the top 10 with his hit ‘Aquafina’.

Spotify’s top-streamed albums in sub-Saharan Africa feature a strong presence of Afrobeats and amapiano. Young Jonn leads with Jiggy Forever, while Asake dominates with three albums: Work of Art (2nd), Lungu Boy (3rd), and Mr Money With The Vibe (10th). Odumodublvck’s EZIOKWU ranks 4th, Rema’s HEIS (5th), and Ayra Starr’s The Year I Turned 21 (7th). Omah Lay’s Boy Alone (8th) and Burna Boy’s I Told Them… (9th) complete the list.

In Ghana, a key Afrobeats hub after Nigeria, the most-streamed artists of 2024 are led by Black Sherif, followed by international stars Asake and Burna Boy, with local icons Sarkodie, Kweku Smoke, and Drake rounding out the top five. For Ghanaian artists specifically, Black Sherif tops the list, with Sarkodie, Kweku Smoke, and King Promise also making strong showings.

In terms of albums, Black Sherif’s The Villain I Never Was leads the way, with Asake’s Work of Art and King Promise’s True To Self following closely behind. Other notable albums include Odumodublvck’s EZIOKWU, Omah Lay’s Boy Alone, and Burna Boy’s I Told Them…

Meanwhile, according to Spotify’s latest Loud & Clear report, the platform has paid over $9 billion to the music industry, nearly tripling payments in six years. In Nigeria, artists earned around $17 million in streaming royalties in 2023, a 2 500% increase since 2017. South African artists earned about $14 million, a 240% rise since 2019.

Spotify, launched in 2008, currently boasts over 100 million tracks and 640 million users across 180 markets.

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