NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

‘All From One’ to showcase our common roots at Soweto festival

11 Feb 2016 - 08:52

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A lack of tolerance for others is one of the major problems in society today. But did you know that there is a 99.9% similarity between the genomes of any two people on earth?

Participants at the recent media launch of the 'All From One' campaign. Photo: PAST/Facebook

To spread awareness of our common ancestry, the Paleontological Scientific Trust (PAST) and its partners have announced that the popular and thought-provoking exhibition, All From One, will be on display at the Zindala Zombili African Music & Dance Festival, taking place at the Soweto Theatre in Johannesburg, South Africa from 23 to 28 February 2016.

The All From One exhibition is part of a scientific campaign promoting social cohesion. The Soweto leg of the exhibition’s journey follows the highly successful launch of the campaign outside Standard Bank’s offices in Rosebank, Johannesburg in November 2015. The campaign celebrates Africa as the birthplace of humankind and is aimed at improving the public’s awareness of the shared origins of all people.

Zindala Zombili aims to be South Africa’s premier indigenous cultural festival. A project of the African Cultural Heritage Trust, the festival promotes the conservation and celebration of South Africa’s rich and diverse indigenous heritage and culture. The All From One exhibition fits in perfectly with the festival, in that it helps to create a broader picture of our heritage and drive a message of unity.

Rosemary Mangope, CEO of the National Arts Council (NAC), said: “We are proud to be a key supporter of an initiative that breathes to life one of our strategic objectives, which is to utilise the arts to drive nation-building and social cohesion. It is through partnerships such as this one that we can actively encourage and foster nation building and social cohesion within our various communities.

“This initiative drives home the basic truths of our shared origins and drives a message of tolerance and acceptance, which are key steps to social cohesion and nation building.

“To promote and develop excellence in the arts, you need to promote the free and creative expression of South Africa’s cultures,” added Ms Mangope.

For the upcoming event, influential figures like former Minister Jay Naidoo and others have had their DNA tested to get a breakdown of their personal ancient ancestry and highlighting the fact that science has proven that 99.9% of the 3 billion nucleotides in your genome are the same as any other member of the human species. “The scientific fact is humans are 99.9% alike, with just a few genes making for the differences in skin colour,” confirms Prof Robert Blumenschine, Chief Scientist at PAST.

Naledi Pandor, Minister of Science and Technology and a patron of the campaign, said: “The message that the exhibition conveys - ‘we all come from one’ - has never been more important, given the difficulties of this world. The exhibit tells us that we are indeed one and should be united as humanity.”

The exhibition is a long-term campaign with several stops scheduled in 2016 and 2017 to promote our shared origins. The exhibition is set to travel nationally and then to tour in East Africa (Kenya and Tanzania) and then West Africa (Nigeria and Ghana). Following that, it will also launch in the UAE in Dubai hosted by Sheikh Nahayan, the Middle East Campaign Patron. In 2017, the PAST exhibition is set to land in London, New York and/or Washington. The global campaign will be promoted by patrons known world-wide for their advocacy of human rights.

For more information, visit the PAST website.

For more about the Zindala Zombili Festival watch the video below.

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