NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Amsterdam Roots Festival to bring top African talent to the Netherlands

20 Jun 2016 - 09:01

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One of the oldest and most popular world music festivals in Europe, the Amsterdam Roots Festival returns to the Netherlands this year between 30 June and 3 July.

Saodaj' from Reunion will play at the Amsterdam Roots Festival.

This annual celebration of world and roots music always brings a wide variety of international stars to Amsterdam. This year’s edition has a particularly strong emphasis on African music, with a line-up featuring artists young and old from every corner of the continent, including DR Congo, Namibia, Madagascar and Reunion.

Taking place as usually in two parts, the festival kicks off with the Roots Indoor series of events at various venues in Amsterdam between 30 June to 2 July.

Performing during this time will be Kenya-based Congolese band Orchestre Les Mangelepa. Founded by musicians from the Swahili-speaking part of eastern Congo, for the past 40 years they have earned legendary status by touring extensively in central and East Africa, living testament to the influence of Congolese music on Kenya’s music scene, particularly in terms of the Rumba sound.

Also performing during Roots Indoor events will be Moroccan producer Officer Fishdumplings with percussion group Dakka Chrafoo, as well as German reggae star Gentleman with Ky-Mani Marley from Jamaica, the son of Bob Marley; and Los de Abajo, all the way from Mexico.

As usual, the Amsterdam Roots Festival culminates in Roots Open Air, where an estimated 50 000 music lovers flock to Oosterpark to hear artists from all over the world. This will happen on Sunday 3 July.

Plenty of music will be on offer, running concurrently on two different stages. Scheduled to perform at Namibian singer-songwriter Shishani and her new band Namibian Tales; Burkinabe artist Baba Commandant and his Mandingo Band; Saodaj' from Reunion, who recently showcased at the Indian Ocean Music Market (IOMMA); Algerian band Djmawi Africa, who bring their energetic stage show that fuses traditional instruments with modern influences to The Netherlands for the first time; tsapiky pioneers Damily from Madagascar; and ground-breaking Moroccan outfit N3rdistan.

Artists performing from further afield include Elito Revé y Su Charangon (Cuba) and Flavia Coelho (Brazil), while Belgian-based DJ Funky Bompa will also be in the mix.

Besides the great music on offer, the Amsterdam Roots Festival is an opportunity to experience the cultures of the world first hand, through dance workshops, kids’ entertainment, clothing stalls and a seemingly endless supply of food and drink.

Amsterdam Roots has Over the years been responsible for introducing many of the biggest names in African music to Dutch audiences. Programmer Danka van Dodewaard told Music In Africa about the history of the event: “Amsterdam roots festival started in 1983 under the name Africa Roots Festival. It took place at the pop venue Melkweg in Amsterdam. The names of musicians playing at that time were still very unknown in the Netherlands: Fela Kuti, Franco, King Sunny Adé, Salif Keita and Manu Dibango. The festival was a success from the beginning.

"It changed a couple of times in name and focus but for the last 19 years it has been known as the Amsterdam Roots Festival. We present artists from all over the world now - and always many artists from Africa! We have around 15 000 visitors on the open-air program of the festival called Roots Open Air.

“African music is become more and more popular, not only for the ‘world music’ lover but for all kind of music lovers,” added Danka. “Roots always books international bands along with national and local artists. It’s an important platform for the African diaspora in the Netherlands. Many artists started at Roots, and because it’s a free festival, we don’t have only a ‘high-brow’ audience but a beautiful mix of all ages, education levels and cultures.”

For more info visit the festival website or Facebook page.

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