NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Angolan musician Waldemar Bastos dies at 66

11 Aug 2020 - 10:37

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Angolan singer and songwriter Waldemar Bastos passed away on 9 August at the age of 66.

Waldemar Bastos. Photo: Agitagueda

According to the Angolan Ministry of Culture, Tourism and Environment, Bastos died in Lisbon, Portugal after succumbing to cancer. Bastos’ death was confirmed by his family via the musician’s official Facebook page.

“With deep sadness and pain, the family informs everyone who knew and appreciated his music, that Waldemar Bastos passed away yesterday, 9 August 2020, a victim of a prolonged illness,” a statement reads.

Speaking to local media, Angolan musician Paulo Flores said: "The death of Waldemar Bastos is an irreparable loss. Very sad news that catches us all off guard. And I think that what has to be celebrated here is, in fact, musical aesthetics, integrity, intellectual honesty and the way, during so many years of career, he never lost his principles and what he believed in. Purity from his compositions, from his melodies, from an early age they helped us to find an Angolan identity that we still try to define completely."

National Union of Artists and Composers president José Moreno told Lusa News Agency that he was devastated and surprised by the news. Angolan singer and cultural journalist Mário Santos said Bastos was unique in his vocal quality and his musical dimension.

Bastos’ music career began in Portugal having left Angola when the country gained independence in 1975. He was among Angola's first artists to gain international recognition. The Preta Luz' singer pioneered a sound known as Afro-Luso-Atlantic, a fusion of musical influences from African and Portuguese culture. In 1983, Bastos recorded his debut studio album Estamos Juntos in Brazil. His last album Classics of My Soul was released in 2010. Some of his popular songs include 'Rainha Ginga', 'Velha Chica', 'Sofrimento' and 'Muxima'.

Throughout his career Bastos has worked with renowned artists like Chico Buarque (Brazil), Dulce Pontes (Portugal), David Byrne (US/UK), Arto Lindsay (US) and Ryuichi Sakamoto (Japan) as well as the Gulbenkian Orchestra (Portugal), the London Symphony Orchestra and the Brazilian Symphony Orchestra. In 2018, he received the National Prize for Culture and Arts – an important cultural distinction of the Angolan State. In the previous year, he was named an International Musician and Singer at the 10th Meeting of Mozambican Writers in the Diaspora, in Lisbon for championing human rights. In 1999, he was awarded the New Artist of the Year at the World Music Awards, promoted by the Prince of Monaco. Bastos was also a critic of former Angolan president José Eduardo dos Santos, who the musician had on several occasions accused of being a dictator.

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