NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Apple recreates A Great Day in Harlem photo in Accra

23 Jan 2019 - 15:55

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American multinational company Apple has commissioned a series of portraits of hiplife musicians.

Ghanaian artists, including EL, Gyedu-Blay Ambolley and Reggie Rockstone, pose for an Apple shoot. Photo: Prince Gyasi

The photo series covers generations of artists in the popular Ghanaian genre and was taken by the visual artist Prince Gyasi.

Artists featured in the series include popular acts from an earlier time such as Gyedu-Blay Ambolley, Reggie Rockstone and Okyeame Kwame. Others featured in the series include Rab Bakari, Abrewa Nana, Hammer (of the Last 2), Beat Menace, Guru NKZ, Joey B, EL, DJ Breezy, Stargo, Ayat, Kirani Ayat, Akan, Kiddblack, Ansah Live, Imani N.A.D, Toyboi, Kwesi Arthur and Shadow.

Photos and interviews of the artists were also featured in a five-minute video shared by Apple on social media. “I wanted to unite all these artists together to photograph this iconic moment and let people know about the genre called hiplife,” Gyasi said.

Many of the artists give their own perspective on the genre. “Whatever we are experiencing now is a continuation of what I started,” Ambolley said, staking his claim to the genre as he has done in the past.

The centrepiece of the series is a photo of many hiplife acts titled A Great Day in Accra, a recreation of the iconic 1958 photo of 57 jazz musicians tagged A Great Day in Harlem, The American original was shot by Art Kane and appeared in Esquire’s 1959 Golden Age of Jazz edition. It featured such luminaries as Dizzy Gillespie, Art Blakey, Thelonius Monk, Coleman Hawkins, Lester Young, Charles Mingus, Gerry Mulligan and Count Basie.

Alongside a video of the shoot, Apple shared a playlist of hiplife tunes featuring R2Bees, Sarkodie, Bollie, Tic Tac, Joe Mettle and others.

“As a creative, it’s important for me to have the freedom to tell the truth through my art. I was happy to shoot my series, A Great Day in Accra, here in Independence Square, where Martin Luther King Jr watched Kwame Nkrumah declare Ghana’s freedom back in 1957,” Gyasi said.

“By reuniting and photographing both old and new hiplife artists, I’m letting the rest of the world know about the genre’s impact in Ghana and beyond. People need to hear about the culture, the source of our rhythm, our music, what influences our arts. It’s our history from our perspective. I want to make sure the new generation doesn’t lose their identity or forget about the pioneers who paved the way for them to lift their own voices.”

"This is like the greatest time to be an artist in Ghana," Kirani Ayat said.

Watch Apple's A Day In Accra video shoot here.

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