NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Reviews

Art Melody – Moogho

25 Nov 2015 - 14:24

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Artist: Art Melody
Album: Moogho
Label & Year: Akwaaba, 2015

Art Melody - Moogho

Two years after the acclaimed Wogdog Blues, Art Melody returns with Moogho – meaning “world” in Mooré, the language of the Mossi people of Burkina Faso. The album explores bridges between continents, styles and times, as Art Melody raps and sings on top of uncompromising productions by long-time partner Redrum, aided by a slew of far-reaching international producers.

Moogho is released exactly one year after the Burkinabè insurrection that successfully ousted president Blaise Compaoré. The album also comes out days after a recent failed coup in Burkina Faso, a reminder of the still frail state of affairs in Ouagadougou. This fragility heightens the importance of artists like Art Melody, who has remained vocal and critical throughout the turmoil, without ever losing his faith in the Burkinabè people and in particular its youth.

On Moogho, Art Melody shares his commentary with inimitable technique, rapping and singing in both Mooré and Dioula, flowing freely in a current of hip-hop, electro, blues, Afrobeat, bass music and free jazz. This deliberate juxtaposition of Burkinabè reality and global musicality sets Art Melody in the lineage of musical trailblazers such as Afrika Bambaata, Archie Shepp, The Clash or Manu Dibango, who all blurred lines and embraced diverse influences and genres.

Moogho's powerful statement is in sharp contrast with the stringent and absurdly repressive immigration policies of our times. It stands against cultural segmentation and social segregation. Moogho is a universal dance, a global vibration hailing straight from the streets of Ouagadougou.

Standout tracks include the horn-driven ‘Karong Korogo’ and ‘Ki Kanga’, while songs like ‘Ya N-Targoama’ and ‘Wakat Songo’ venture into more experimental, bass-heavy electronic territory, like a West African version of Tricky, slowed down further on ‘Hey Mah’ and ‘Micro Makré’. Throughout the album’s 12 tracks permeates a sense of discomfort, a determination to push boundaries while forcing one to always listen attentively rather than simply play it in the background.

The new release has already been well received by major players in the global music industry. British DJ Gilles Peterson said: "Feeling this, great A&R". Bram de Cock of Rebel Up! in Belgium said, “Excellent, original with impeccable production". Samrai from Swing Ting (UK) said: "This is great. Love the variance through the set."

Listen the album below and buy it on iTunes here.

[audio:https://soundcloud.com/akwaabamusic/art-melody-na-kiend-songo-prod-by-labelle?in=akwaabamusic/sets/art-melody-moogho autoplay:0]

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