NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Ayox opens up: From loss to legacy in Afrobeats journey

22 May 2025 - 11:16

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Nigerian Afrobeats artist Ayox is proving that music is more than rhythm and melody, it’s a lifeline, a legacy, and a way to speak directly to the soul. Joining Nandi Madida on Apple Music 1 via FaceTime, the young artist opened up about his deeply personal approach to music-making, the emotional depth behind his latest tracks, and how he’s turning pain into purpose through sound.

Ayox.

Reflecting on his growth, Ayox revealed how discovering his purpose redefined his artistic vision. With a debut EP Last Son of a Widow inspired by the loss of his father and the strength of his mother, Ayox channels his emotions into tracks that resonate with the loners, those quietly enduring personal struggles and seeking music that mirrors their mood.

Despite moments of joy in his music, songs like ‘Lonely Nights’ close his projects on a raw, honest note, reminding listeners that behind the rising star is a young man still navigating the solitude that fuels his sound.

How Ayox found his purpose in music

I listen to a lot of music, and I got to understand that there’s literally no kind of music that you can make, that other people cannot make. It’s not [about] how good of a singer you are. There are so many great, amazing singers in the world. My purpose is to come into this world, tell my own story, [and] share my own perspective of life through my own music. I feel like that helps me stand out—and regardless, whenever I grow old, someday my story will still be told through my music. [I won’t be] just another artist that came and went.

Why his music remains deeply personal

I mean, it took me seven years of dreaming music to having a project and an EP. I’d always dreamed of having a project where it is not just about me, but about a lot of people that are like me—the loners. I feel like sometimes you need a song that connects with your mood. If there's anybody feeling down or feeling like, “Oh, life is going crazy,” I feel like I wanted to have a project that [they] could always go back to. That was my first project, Last Son of a Widow, which was inspired by my dad's death and my mom going through the process of being a widow.

His collaboration with Yinka on ‘AYO’

Yinka reminds me so much of my childhood. I lost my auntie in 2016, the same year my dad died. That's the first time I realised what death was, because you don't get to see the person again. And my auntie used to be the one who played Yinka around the house. I used to go to church with her. And every Sunday we all played Yinka because he was very, very huge when we were little, and he’s still huge. I was just making this song on a random day, and I told my producer, “I feel like Yinka would do good on this.” A year later I texted him, [and] he did the song! He sent his part in 24 hours. Big love to him; he made my dream come true!

The ‘Lonely Nights’ track

The EP had to end with ‘Lonely Nights’. ‘Ayo’ displayed Joy and triumph [over] my enemies, but ‘Lonely Nights’ is a reminder that regardless of where I am progressing in life, there's still going to be who I am as a person, [and] what I represent, which is being a loner. So I just wanted to remind people that there's still times where I feel down in my lonely night time.

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