NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Beatenberg and KO beat Cassper for SAMA glory

29 May 2015 - 12:33

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Beatenberg were the big winners at the 21st annual South African Music Awards (SAMAs) on Sunday 19 April. The Capetonian indie trio took home a total of six awards for their album The Hanging Gardens of Beatenberg.

KO and his entourage accept the coveted Kia Record of the Year award.

At a star-studded live awards ceremony at the Sun City Superbowl, north of Johannesburg, and broadcast live on SABC1, Beatenberg swept the key categories Album of the Year, Duo or Group of the Year and Best Pop Album. Before that, during the non-broadcast component of the show when the industry awards were presented, ‘Pluto (Remember You)’, Beatenberg’s smash hit with DJ Clock, was named Best Selling Ringback Tone and Best Selling Full-track Download, and also received the SAMPRA Award for Highest Airplay of the Year.

The band, usually quiet social networks, took to Twitter today to celebrate. “Thank you for the incredible support”, the tweeted, promising to up their game on twitter and sending shout-outs to DJ Clock, all nominees and the SAMA organisers. The band later added a special tribute to Clock: “A lot of people missed out our pre-broadcast speech for @DjClock, dude we are such big fans and working together has changed our lives!”

As the awards reached their climax, presenters Danny K and Kabelo revealed that the winner of the Kia Record of the Year Award was ‘Caracara’ by KO ft. Kid X. The track had secured the most SMS votes from the South African public, signalling true music democracy in action as the awards turned 21 in the same year that democratic South Africa comes of age.

The XXI annual South African Music Awards impressed with a spectacular live show hosted by HHP and featuring slick performances by several nominees and winners. Among the highlights were an on-stage collaboration between AKA, Duncan and Mdu Masilela, another cross-genre splice featuring Simphiwe Dana and Kurt Darren, and a rock-meets-rap mash-up featuring Prime Circle and Cassper Nyovest.

Nyovest, who had headed into the XXI annual South African Music Awards with five nominations, had to make do with only the Newcomer of the Year award. Rival and fellow hip-hop artist AKA walked away with the coveted Male Artist of the Year award. But in the Best Rap Album category, in which both were nominated, the award went to K.O., who also scooped the trophy for Best Collaboration (for ‘Caracara’, featuring Kid X). Bucie was named Female Artist of the Year, Black Motion won Best Dance Album and Professor took home the trophy for Best Kwaito Album.

The full list of the SAMA XXI winners is as follows:

  • Album of the Year: Beatenberg - The Hanging Gardens of Beatenberg
  • Duo or Group of the Year: Beatenberg - The Hanging Gardens of Beatenberg
  • Female Artist of the Year: Bucie - Princess of House (Easy to Love)
  • Male Artist of the Year: AKA - Levels
  • Newcomer of the Year: Cassper Nyovest - Tsholofelo
  • Best Rock Album: aKING – Morning After
  • Best Pop Album: Beatenberg – Hanging Gardens of Beatenberg
  • Afrikaans Pop Album: Riana Nel – Die Regte Tyd
  • Best Adult Contemporary: Joe Niemand – Back Again
  • Beste Kontemporere Musiek Album: Dewald Wasserfal – Ek en Jy
  • Best Traditional Music Album: Botlhale Boikanyo – Spoken Word & Music
  • Best Maskandi Album: Thokozani Langa - Igema Lami
  • Best Jazz Album: McCoy Mrubata - Brasskap Sessions Vol. 2
  • Best RnB Soul Reggae Album: Afrotraction - For The Lovers
  • Best Rap Album: K.O. - Skhanda Republic
  • Best Kwaito Album: Professor - University of Kalawa Jazmee Since 1994
  • Best Dance Album: Black Motion - Fortune Teller
  • Best Classical and/or Instrumental Album: Wouter Kellerman - Winds of Samsara
  • Best Traditional Faith Album: Sfiso Ncwane - Bayede Baba
  • Best Contemporary Faith Music Album: Loyiso – Power Love Sound
  • Best African Adult Album: Maleh - You Make My Heart Go
  • Best Alternative Album: Bittereinder – Skerm
  • Best Live DVD: Robin Kohl for First Decade by Lira
  • Music Video of the Year: Ryan Kruger for Prime Circle - 'Let The Night In'
  • Best Producer of the Year: Wouter Kellerman and Ricky Kej for for Winds Of Samsara by Wouter Kellerman
  • Best Engineer of the Year: Brian O'Shea, Crighton Goodwill & Maruispopplanet for Johnny Apple by Johnny Apple
  • Best Collaboration: K.O. ft. Kid X - 'Caracara'
  • Remix of the Year: DJ Sbu, Robbie Malinga - 'Indlela Yam' by DJ Sbu & Mojalefa Thebe
  • Kia Record of the Year: 'Caracara' - K.O. ft KiD X

Special Awards:

  • International Achievement Award: Wouter Kellerman
  • Lifetime Achievement Awards: M'du Masilela, Mandla Mofokeng (aka Spikiri) & Zim Ngqawana

Best-selling Mobile Music Downloads:

  • Best Selling Album: Riana Nel - Die Regte Tyd
  • Best Selling DVD: Vol. 18 One Purpose - Joyous SA
  • Best Selling Mobile Music Download: Beatenberg and DJ Clock
  • Best Selling Ring-Back Tone: 'Pluto' - DJ Clock ft Beatenberg
  • Best Selling Full-Track Download: 'Pluto' - DJ Clock ft Beatenberg

SAMPRA Award for Highest Airplay of the Year: 'Pluto' - DJ Clock ft Beatenberg

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