NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Best of 2017: The Ugandan kids who inspired French Montana’s #UnforgettableDanceChallenge

28 Dec 2017 - 07:35

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This story was first published on 28 April 2017.

French Montana and Swae Lee dancing with the Triplets Ghetto Kids in Kampala. Photo: Kiss 100

They have become a viral phenomenon since they captured our hearts with a comical dance version of Eddy Kenzo’s ‘Sitya Loss’ in 2014. Now, more than 40 videos in, Triplets Ghetto Kids have inspired a viral trend, the #UnforgettableDanceChallenge, in which American celebrities like Travis Scott, Swizz Beatz, DJ Khaled, Drake, Juelz Santana and even P Diddy have taken part.

The troupe has literally grown before our eyes, both professionally and literally. Now they are highly sought-after by international celebrities. That is how Moroccan-American hip hop sensation French Montana fell in love with their high-energy, unpretentious dancing and travelled to Kampala to shoot a video for his single ‘Unforgettable’, which features Swae Lee, one of the brothers in duo Rae Sremmurd.

“I was on YouTube listening to music from one of my favorite African artists Cheb Hasni and found this video of these kids dancing barefoot in the mud and on rocks," French Montana wrote on his Instagram page this month. "No complaining or pain just so much joy in the music and dancing. I watched with ‘Unforgettable’ playing in the background and it hit me! Their moves went to the tempo and it was almost like God planned it!

“It inspired me to go find them in Uganda. My team and I searched and we found them. When we arrived, it was so sad for me to find out that one of the kids in the video died before I got to meet him, and my favourite girl Patricia had just woken up from a two-week coma. But it did not stop her from coming to the set and dancing barefoot with the others. These kids made my experience in Uganda #Unforgettable.”

The result is an infectious video that has been on the top-ten Twitter trending list in the past two weeks and has already received 18 million views. Though there are other scenes shot in a bar and while on safari, where Montana is accosted by rebels, the street dance scenes featuring the vivacious teens are the highlight of the video, what with their nimble contortions, dance-hall inspired moves and comical gyrations. The video is shot in the messy streets, with no airbrushed scenes, giving it a simple authenticity that sets it apart from Montana’s other videos.

After Montana is kidnapped by rebels in the forest, the video ends with a sign that reads ‘Later On That Day…’ suggesting a sequel shot in Africa.

Alongside the video, Montana invited his social media followers to a dance challenge, and that too has taken off.

In an interview with Christopher Kevin of lifewithoutandy.com, Montana terms the Uganda visit as one of the most memorable experiences in his 32 years of existence.

“I tell people all the time, I feel like it was my first vacation, as far as touching the people and giving people an opportunity that they appreciate … It warmed my heart, it’s probably the best feeling I’ve ever felt in my life,” he says.

But let not the simplicity of the video fool you. The Triplets Ghetto Kids are now anything but ‘ghetto’ – they are professionally managed and choreographed and have a sleek website that secures gigs for them. Their tattered clothes and dusty feet are part of the costuming, and only make an appearance in some videos.

Last year they won the Best Dance Act at the UK’s Black Entertainment Film, Fashion, Television and Arts (BEFFTA) Awards and Best Dance Group at the African Entertainment Awards in the US. They also bagged The Video Trailblazer Award at the HiPipo Music Awards and Talented Youth Star at the Rising Star Awards, both in Uganda.

After filming catchy videos that saw them dancing to the likes of 'Follow Follow' by Hanson Baliruno, Mastiksoul & Shaggy’s 'Good For You' and Justin Bieber’s 'Sorry', Triplets Ghetto Kids were then featured in official videos like Kenzo’s ‘StyleZo(Kadondo)’, Patoranking’s ‘Make Am’ and now French Montana’s ‘Unforgettable’. Check out their videos on YouTube.

One thing is for sure – no matter what they wear or where they shoot their videos, Triplets Ghetto Kids bring the X Factor to African dance. Why not go ahead and attempt the #UnforgettableDanceChallenge?

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