NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Billboard names African music execs on 2022 International Power Players list

26 Apr 2022 - 13:41

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African music industry executives including Franck Kacou, Charlotte Bwana, Ezegozie Eze Jr and Osita Ugeh have made Billboard’s 2022 International Power Players list, which was published this week.

Franck Kacou.

Presented by the well-known American music and entertainment magazine, the list spotlights industry players from more than 100 companies that enable the global music industry. Like previous editions, the 2022 list comprises label executives, music publishers, independent entrepreneurs, artist managers and concert promoters. Finalists on the list are nominated by their companies and industry peers, and are selected by Billboard’s editors.

Franck Kacou, formerly a rapper trading under the stage name Black Kent, replaced Moussa Soumbounou to become the managing director of Universal Music Africa in 2020. He was named on Billboard’s 2022 list alongside Universal Music France/Universal Music Africa CEO Olivier Nusse, and the label’s South Africa and Sub-Saharan Africa CEO Sipho Dlamini. Kacou and Dlamini are on the list again after an appearance last year alongside Afro-fusion star Burna Boy’s mother and manager, Bose Ogulu, 0207 Def Jam co-presidents Alec and Alex Boateng, and Sheer Publishing Africa founder and managing director David Alexander, among others.

Audiomack Africa’s Charlotte Bwana, who is in charge of media and brand partnerships, and the company’s marketing and brand strategy vice-president, Jason Johnson, were also named on this year’s list. Reacting to her inclusion, Bwana, who joined Grammy Awards oversight body the Recording Academy in 2021, said: “I’m fortunate I get to work with a great team to move African music forward.”

Also named on the list are EMPIRE Africa’s vice-president of market development, Ezegozie Eze Jr, West Africa regional head Kareem Mobolaji and project manager Titilope Adesanya. The trio handle talent partnerships and promotion on the continent, following the company’s announcement of an Africa division in February.

“While EMPIRE continues to boast wins on the hip hop side with acts such as Tyga and Key Glock, the company’s most significant feat now lies in its expansion into Africa, especially after the success of Fireboy DML and his Hot 100 hit ‘Peru’,” Billboard said.

Mobolaji said: “Over the past 12 to 18 months, the rapid development of our EMPIRE team on the ground in Lagos and globally has already reaped tangible rewards with the success of our artists – not only in West Africa but around the world.”

Other African music executives on the list include Osita Ugeh whose Duke Concept has produced tours for top African acts in venues across North America, including 92 shows in the past year alone, and Gallo Music Group boss Rob Cowling, who is behind Africa’s oldest independent label.

This year, Billboard’s 2022 International Power Players list arrives on the heels of the International Federation of the Phonographic Industry’s annual music report, which found that Africa saw a healthy increase in recorded music revenues.

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