NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Boiler Room showcases South African house talent

04 Mar 2015 - 09:35

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The world’s leading underground music platform, Boiler Room, is in South Africa. On 5 March 2015, Ballantine’s Scotch Whisky and Boiler Room present ‘Stay True South Africa’ – a one-night-only house music experience in Johannesburg featuring global and local legends Black Coffee, Okmalumkoolkat, Culoe de Song, Shimza and Black Motion.

Black Coffee.

This local event continues the global partnership between Boiler Room, one of the world’s most popular and authentic online music channels, and Ballantine’s, the world’s no. 2 Scotch whiskey. Launched in early 2014 with its first event in Mexico, this partnership saw the creation of the ‘Boiler Room & Ballantine’s Stay True Journeys’, which explores and celebrates the stories of the world’s most vibrant music scenes. The Stay True Journeys have already travelled to three continents – and Boiler Room will be the first show of this scale in South Africa and the first time it will be broadcast live online from the country via the microsite Boilerroom.TV/StayTrue.

Boiler Room lands on SA soil at a time when our house music (r)evolution is in the global spotlight. Pioneering producers, artists and DJ’s are touring the world taking our sound to eager international ears. The world has taken notice. The world is listening.

“We always thought that house was big internationally, because that’s where we got it from. But I’ve realized that we have the biggest house scene in the world in South Africa,” says Black Coffee.

Culoe De Song adds: “There is a lot of energy, a lot of hunger, a lot of kids getting into house music. It’s our time now and it’s exciting!”

Stay True South Africa will culminate in the production of an online documentary, shot on location in Johannesburg, that will take the country – and the world – on a journey through South Africa’s house music, featuring global and local musicians exploring the stories and the people that create our unique music culture. The documentary will be available early April on Boilerroom.tv.

“We are very excited to be involved with bringing Boiler Room to South Africa,” says Daryl Dixon, Ballantine’s SA Brand Manager. “Ballantine’s is about authenticity, self-belief, staying true to yourself and leaving an impression. This fits perfectly with Boiler Room’s ethos of uncovering and showcasing genuine talent from a diverse range of music genres around the world – and now here at home too.”

Blaise Bellville, founder of Boiler Room added: “Boiler Room and Ballantine’s partnership is all about exploring and documenting the world’s most authentic and original underground music scenes. We’ve watched the South African electronic scene explode in recent years with artists like Black Coffee, Okmalumkoolkat and Culoe De Song gaining widespread international recognition. All of this made Johannesburg, the beating heart of South Africa’s house scene, a very obvious choice for the fifth stop on our global Stay True Journey.”

Tickets are not for sale and fans stand the chance to WIN tickets exclusively through Ballantine’s SA and Boiler Room channels.

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