NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Boomplay 2021 wrap-up highlights tomorrow’s African popstars

13 Dec 2021 - 16:32

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Africa-facing streaming platform Boomplay Music has released its wrap-up report for 2021, which highlights the top artists and songs of the year. 

Ayra Starr, Black Sherif, Zuchu and Mr Seed.

The report is based on streaming data from the company’s 60 million active monthly users across four key countries – Nigeria, Ghana, Kenya and Tanzania – from 1 November 2020 to 31 October 2021.

A key deduction from the report is how it highlights artists who could be the next big names in African music. Rising acts dominated their respective countries, their releases becoming the fastest songs to attain 1 million streams, and in some cases earned the accolade of most-streamed record.

In Nigeria, 24-year-old Omah Lay secured the No 2 spot among the top three most-streamed male artists, which also includes Olamide and Burna Boy, while Teni, Tope Alabi and Mercy Chinwo emerged as the first, second and third most-streamed female artists, respectively. Ruger, Ayra Starr and Tems were the top rising artists on the streaming platform.

Olamide’s Omah Lay-assisted ‘Infinity’ was the most-streamed Afrobeats song for the year, with Joeboy’s ‘Alcohol’ and Ladipoe’s ‘Feeling’ featuring Buju coming in at No 2 and No 3, respectively. Joeboy and Omah Lay had the second and third fastest songs to reach 1 million streams after Naira Marley’s ‘Coming’ featuring Busiswa.

Worth reiterating is Olamide’s influence on the charts, having asserted himself atop the two strongest streaming categories, mainly with his album Carpe Diem. It is also instructive to note the absence of Wizkid, Davido and Tiwa Savage in Boomplay’s top ranks, despite their successes elsewhere (Wizkid, Burna Boy and Davido are Spotify’s most-streamed Nigerian artists of 2021).

On the gospel front in Nigeria, Mike Abdul’s ‘Baba Ese’ took the top spot, with Mercy Chinwo’s ‘Oyoyo Chukwu’ featuring Israel Dammy and EeZee Tee and Onos’ ‘No Void’ claiming the second and third spots.

Ghana’s list of the top three female artists was occupied by Gyakie, Diana Hamilton and Wendy Shay. Wendy Shay and Gyakie’s presence among the top ranks emphasise the dominance of young acts this year. Sarkodie led the ranking for the male acts, with Black Sherif and Stonebwoy coming in at second and third. The country’s biggest discovery of 2021, Black Sherif’s ‘Second Sermon’ and ‘First Sermon’, were the two fastest rising songs to reach 1 million streams. Last week, a remix of ‘Second Sermon’ featuring Burna Boy was released to rave reviews, along with Burna Boy’s announcement that Black Sherif would be going on tour with the Grammy winner.

Meanwhile, Diana Hamilton’s ‘Adom Grace’ closed out the year as the third most streamed song in Ghana, pointing to the fact that gospel music remains a viable genre in the country. Diana Hamilton, who is the reigning Vodafone Ghana Music Awards Artist of the Year, secured the top two spots for the most streamed gospel songs, with Joyce Blessing trailing at No 3. R2Bees, Keche and Dead Peepol were crowned the top groups of 2021.

The Kenya wrap-up spotlights young gospel act Mr Seed as the brightest emerging act in the country. His song ‘Only One’ was the fastest to accrue 1 million streams in the year under review. He also led the top rising artists list, followed by Ndovu Kuu and Nikita Kering.

Otile Brown asserted himself as an undeniable force in the country’s music scene. The musician, who emerged as the top male artist in the country, also occupied the top three spots for the most streamed songs of 2021 with ‘Such Kinda Love’, ‘Dusuma’ and ‘Regina’. Additionally, ‘Such Kinda Love’ and ‘Jeraha’ earned Otile Brown the No 2 and No 3 spots among the fastest rising songs to hit 1 million streams.

Nadia Mukami led the list of top female artists in Kenya, trailed by Ssaru and Mercy Masika. Bahati and Willy Paul completed the remaining two spots in the top male artist category. Gengetone act Dantez’s ‘Ala’ emerged as the most-streamed song within the genre, followed by Rekles’ ‘Zamani’ and Swat Matire’s ‘Gari Kubwa.

Rayvanny, Mbasso and Alikiba emerged as the streaming platform’s leading male acts in Tanzania. The country’s leading female artists are Zuchu at No 1, Nandy at No 2 and Anjella at No 3. Veteran hitmaker Diamond Platnumz scored the fastest 1 million streams with ‘Naanzaje’, followed by Zuchu with ‘Sukari’ and Macvoice with ‘Nenda’. Marioo’s ‘For You’ led the list of the most streamed bongo flava songs, followed by Mbasso’s ‘Baikoko’ and Rayvanny’s ‘Number One’. Nandy’s ‘Wanibaiki’ was the most popular gospel song of the year under review, with Mathias Walichupa and Joel Lwaga following closely with ‘Ni Wewe’ and ‘Mimi Ni Wa Juu’. Mabatu emerged as the most-streamed group in the country, followed by Rostam and Weusi.

Boomplay is the biggest music streaming platform in Africa and the latest wrap-up report provides arguably the most comprehensive picture of the continent’s listening habits, specifically in East and West Africa, which constitute two of the biggest regions of music consumption on the continent.

Over in South Africa, amapiano continues to thrive, influencing sounds across the rest of the continent. According to Spotify’s numbers, DJ Maphorisa leads the Top 10 Most Streamed South African Artists list. He also appears twice in the Top 10 Most Streamed South African Tracks list with ‘Izolo’ and ‘Banyana’. ‘Umsebenzi Wethu’ by the late Mpura and Busta 929 featuring Lady Du, and Zuma & Reece Madlisa closed out the year as the most-streamed South African track on Spotify, Deezer and Apple Music.

Meanwhile, Boomplay’s streaming data is now considered in a number of Billboard charts. The company said in October that the move formed part of its “dedication to helping the African music industry unlock its full potential” and to give African and international artists and their music an opportunity for more exposure on the global stage.

Below is Boomplay’s 2021 wrap-up report for Nigeria, Ghana, Kenya and Tanzania:

Top Female Artists of 2021 (Nigeria)

  1. Teni
  2. Tope Alabi
  3. Mercy Chinwo

Top Male Artists of 2021 (Nigeria)

  1. Olamide
  2. Omah Lay
  3. Burna Boy

Most Streamed Songs for 2021 (Nigeria)

  1. ‘Godly’ by Omah Lay
  2. ‘Infinity’ by Olamide ft. Omah Lay
  3. ‘Sip (Alcohol)’ by Joeboy

Most Streamed Afrobeats Songs of 2021 (Nigeria)

  1. ‘Infinity’ by Olamide ft. Omah Lay
  2. ‘Alcohol (Sip)’ by Joeboy
  3. ‘Feeling’ by Ladipoe ft. Buju

Most Streamed Gospel Songs of 2021 (Nigeria)

  1. ‘Baba Ese’ by Mike Abdul ft. Yuroba Mass Choir
  2. ‘Oyoyo Chukwu’ by Mercy Chinwo ft. Israel Dammy and EeZee Tee
  3. ‘No Void (Acoustic Version)’ by Onos

Most Loved Internationally (Nigeria)

  1. ‘Kilometre’ by Burna Boy
  2. ‘Nowhere To Go’ by Rudebwoy
  3. ‘Sip (Alcohol)’ by Joeboy

Most Streamed International Collaborations (Nigeria)

  1. ‘Coming’ by Naira Marley ft. Busiswa
  2. ‘Champion’ by Fireboy DML ft. D Smoke
  3. ‘Damn’ by Omah Lay ft. 6lack

Fastest Rising Songs to Hit 1 Million Streams (Nigeria)

  1. ‘Coming’ by Naira Marley ft. Busiswa
  2. ‘Understand’ by Omah Lay
  3. ‘Sip (Alcohol)’ by Joeboy

Top Rising Artists of 2021 (Nigeria)

  1. Ruger
  2. Ayra Starr
  3. Tems

Top Female Artists of 2021 (Ghana)

  1. Gyakie
  2. Diana Hamilton
  3. Wendy Shay

Top Male Artists of 2021 (Ghana)

  1. Sarkodie
  2. Black Sherif
  3. Stonebwoy

Most Streamed Songs for 2021 (Ghana)

  1. ‘Second Sermon’ by Black Sherif
  2. ‘First Sermon’ by Black Sherif
  3. ‘Adom Grace’ by Diana Hamilton

Most Streamed Gospel Songs of 2021 (Ghana)

  1. ‘Adom Grace’ by Diana Hamilton
  2. ‘Nyansabuakwa Nyame’ by Diana Hamilton
  3. ‘Adam Nana’ by Joyce Blessing

Most Loved Internationally (Ghana)

  1. ‘Non-living Thing’ by Sarkodie ft. Oxlade
  2. ‘Sweet Love’ by Wendy Shay
  3. ‘One By One’ by Mr Drew ft. Victor AD

Most Streamed International Collaborations (Ghana)

  1. ‘Spiritual’ by KiDi ft. Kuami Eugene and Patoranking
  2. ‘Baajo’ by Kwesi Arthur ft. Joeboy
  3. ‘Activate’ by Stonebwoy ft. Davido

Fastest Rising Songs to Hit 1 Million Streams (Ghana)

  1. ‘Second Sermon’ by Black Sherif
  2. ‘First Sermon’ by Black Sherif
  3. ‘Coachella’ by Sarkodie ft. Kwesi Arthur

Top Groups of 2021 (Ghana)

  1. R2Bees
  2. Keche
  3. Dead Peepol

Top Rising Artists of 2021 (Ghana)

  1. Black Sherif
  2. Mr Drew
  3. Gyakie

Top Female Artists of 2021 (Kenya)

  1. Nadia Makami
  2. Ssaru
  3. Mercy Masika

Top Male Artists of 2021 (Kenya)

  1. Otile Brown
  2. Bahati
  3. Willy Paul

Most Streamed Songs for 2021 (Kenya)

  1. ‘Such Kinda Love’ by Otile Brown’ ft. Jovial
  2. ‘Dusuma’ by Otile Brown ft. Meddy
  3. ‘Regina’ by Otile Brown’ ft. Jux

Most Streamed Gengetone Songs of 2021 (Kenya)

  1. ‘Ala’ by Dantez 254 ft. Rekles, Odi wa Murang’a, VDJ Jones and Tri Mio
  2. ‘Zamani’ by Rekles ft. Odi wa Murang’a and The Goon
  3. ‘Gari Kubwa’ by Swat Matire

Most Streamed Gospel Songs of 2021 (Kenya)

  1. ‘Baba Ese’ by Mike Abdul ft. Yuroba Mass Choir
  2. ‘Oyoyo Chukwu’ by Mercy Chinwo ft. Israel Dammy and EeZee Tee
  3. ‘No Void (Acoustic Version)’ by Onos

Most Loved Internationally (Kenya)

  1. ‘Such Kinda Love’ by Otile Brown’ ft. Jovial
  2. ‘Dusuma’ by Otile Brown ft. Meddy
  3. ‘Kiss’ by Bahati ft. Rayvanny

Most Streamed International Collaborations (Kenya)

  1. ‘Regina’ by Otile Brown ft. Jux
  2. ‘In Love’ by Otile Brown’ ft. Alikiba
  3. ‘Kiss’ by Bahati ft. Rayvanny

Fastest Rising Songs to Hit 1 Million Streams (Kenya)

  1. ‘Only One’ by Mr Seed ft. Masauti
  2. ‘Such Kinda Love’ by Otile Brown’ ft. Jovial
  3. ‘Jeraha’ by Otile Brown ft. Jovial

Top Rising Artists of 2021 (Kenya)

  1. Mr Seed
  2. Ndovu Kuu
  3. Nikita Kering

Top Female Artists of 2021 (Tanzania)

  1. Zuchu
  2. Nandy
  3. Anjella

Top Male Artists of 2021 (Tanzania)

  1. Rayvanny
  2. Mbasso
  3. Alikiba

Most Streamed Songs for 2021 (Tanzania)

  1. ‘Sukari’ by Zuchu
  2. ‘For You’ by Marioo
  3. ‘Baikoko’ by Mbosso ft. Diamond Platnumz

Most Streamed Bongo Flava Songs of 2021 (Tanzania)

  1. ‘For You’ by Marioo
  2. ‘Baikoko’ by Mbosso ft. Diamond Platnumz
  3. ‘Number One’ by Rayvanny ft. Zuchu

Most Streamed Gospel Songs of 2021 (Tanzania)

  1. ‘Wanibaiki’ by Nandy
  2. ‘Ni Wewe’ by Mathias Walichupa ft. Godfrey Steven
  3. ‘Mimi Ni Wa Juu’ by Joel Lwaga

Most Loved Internationally (Tanzania)

  1. ‘Salute’ by Alikiba ft. Rudeboy
  2. ‘Happy Birthday’ by Rayvanny
  3. ‘Yalaaaa’ by Zuchu

Most Streamed International Collaborations (Tanzania)

  1. ‘Iyo’ by Diamond Platnumz ft. Focalistic, Mapara A Jazz and Ntosh Gazi
  2. ‘Beer Tamu’ by Marioo ft. Tyler ICU, Abbah and Visca
  3. ‘Salute’ by Alikiba ft. Rudeboy

Fastest Rising Songs to Hit 1 Million Streams (Tanzania)

  1. ‘Naanzaje’ by Diamond Platnumz
  2. ‘Sukari’ by Zuchu
  3. ‘Nenda’ by Macvoice

Top Groups of 2021 (Tanzania)

  1. Mabantu
  2. Rostam
  3. Weusi

Top Rising Artists of 2021 (Tanzania)

  1. Macvoice
  2. Jay Melody
  3. Rapcha

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