NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Breaking boundaries with Bonj

27 Dec 2019 - 16:56

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South African singer Bongiwe 'Bonj' Mpanza is poised to pounce. She brings savoir faire and sophistication to the room, but this very moment in her career is reminiscent of a lioness on the verge of capturing her prey: destined to win, moving with subtlety and tact.

Bonj.

In any given scenario, the stealthy feline species is known for its remarkable ability to wait and strike only when the time is right. Its spirit is characterised by patience, curiosity and adventure. As social Darwinists argue, human beings are subject to the same laws as animals: life is a struggle for survival where the weak diminish and the strong dominate. Bonj is conscious of this and like the lioness she has courage, skill and the ability to make the right move to seize the day.

Her musical journey is one of exploration. She got serious about music at the age of 15 and after completing high school at the National School of the Arts (NSA) in Johannesburg she headed off to the University of Cape Town to pursue jazz studies. As luck would have it, the newly established electronic band TheCity was auditioning vocalists. At first she was hesitant to try out but a friend convinced her to go for it. She made the cut and delved into the music with full force.

“That was actually my introduction to electronic music, the so-called ‘devil’s music’, because at NSA I was doing church music 24/7. I was a staunch Christian," she says. "So TheCity introduced me to electronic music, live performances and gave me an opportunity to write and collaborate with new musicians in a new genre.”

TheCity is also where the musician found her life partner, ex-Kiffness member and producer Clem Carr, who sits across the table from her during our interview. The two moved to Joburg where musician and label owner Tresor discovered Bonj at Kitcheners in Braamfontein. Two singles followed after the move: ‘Till the Tide’ and a recent collaboration with DJ Zinhle, titled on ‘Against the Grain’. Soon after she opened for Sam Smith in Cape Town earlier in 2019.

“My mind was blown," Bonj says about being booked for that concert. "I just didn’t understand what was happening because I didn’t have any popular single out in the country. Also, globally I haven’t made enough noise. Before the call for the Sam Smith gig, I was performing at Carfax [in Newtown, Johannesburg], doing a favour for a friend. The next thing the call came and I was like, 'Yeah, that’s exactly why I'm doing all of this, that’s why we’ve been giving it our all.' All those years were preparation for that moment.”

Bonj draws inspiration from the dynamic complexities of black people’s lives, her home in Dobsonville, Soweto, and the sounds that she grew up with. “I’m inspired by my life experiences and my journey through all the hardships; my childhood soundtrack basically. It keeps me going and makes me feel like I’ve got a purpose."

Innovation and breaking boundaries is a common element in Bonj's craft – visually and musically. This can be explained by her unwavering loyalty and relentless devotion to Afrofuturism.

“Afrofuturism is something that I believe in and I love to explore in my music." At this point Clem can’t resist the urge to interrupt Bonj: “She’s being too modest! We were definitely pioneering the stuff in Cape Town, along with Black Major and Shiba Melissa Mazaza. We were discussing the stuff in 2009, working through what we wanted to do with the music and what she wanted to do with her voice, especially in this time of change and technology and where Africa fitted in all of this. So it’s interesting that you should bring it up. This was a very big part of how we started discovering ourselves and our identities.”

Electronic music doesn’t enjoy quite as much attention as other genres in SA, but its elements are being fused everywhere. "At some point I think it’s going to grow," Bonj says. "I feel like it’s definitely going to infiltrate into mainstream sound because I can hear it in gqom already, also what Sho Madjozi is doing, Moonchild and DJ Maphorisa. Even some of the sounds I’ve been hearing in amapiano."

Bonj's upcoming album is scheduled for release in 2020 and she says her fans can expect an eclectic offering.

“There’s going to be dance tracks with lots of soul. It's mainly produced by Clem and features some collaborators like DJ Zinhle. I made this really amazing song with Sketchy Bongo, it’s also my next single. It’s very moody, about this enigma controlling me and I can’t explain it. I’m so excited about the production. It’s got a bit of everything in me,” Bonj says.

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