NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

BRIT Awards 2022: All the nominees

20 Dec 2021 - 16:23

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The nominees for the 2022 BRIT Awards have been announced ahead of the main ceremony at the O2 Arena in London on 8 February.

Nigerian singer CKay will compete in the Best International Song trophy.

Also known as ‘the BRITs’, the awards platform, which was first held in 1977, is the British Phonographic Industry’s annual celebration of popular music. This year’s edition will award musical feats across 13 categories, including Artist of the Year, Group of the Year, Brit Rising Star and International Artist of the Year.

British-Nigerian rapper Little Simz is among the leading nominees with four nods including Album of the Year, Best New Artist, Best Hip-Hop/Grime/Rap and Artist of the Year. In October, the musician won the Best International Flow trophy at the 2021 BET Hip Hop Awards

Nigerian singer CKay scored a nomination in the Best International Song category with his global hit ‘Love Nwantiti (Ah Ah Ah)’. CKay will compete for the prize against a long roster of international heavy hitters including Canadian stars Drake and The Weeknd, US singers Billie Eilish and Lil Nas X, among others.

Meanwhile, Holly Humberstone has been awarded the BRITs Rising Star prize.

At last year’s ceremony, British rapper of Gambian descent J Hus won the Male Solo Artist trophy, edging fellow artists AJ Tracey, Headie One, Joel Corry and Yungblud to win his first BRIT Award.

The 2022 BRIT Awards will be hosted by comedian Mo Gilligan.

Below is the full list of the nominees:

Album of the Year

  • 30 – Adele
  • We're All Alone In This Together – Dave
  • Ed Sheeran – =
  • Sometimes I Might Be Introvert – Little Simz
  • Seventeen Going Under – Sam Fender

Artist of the Year

  • Adele
  • Dave
  • Ed Sheeran
  • Little Simz
  • Sam Fender

Best Group

  • Coldplay
  • D-Block Europe
  • Little Mix
  • London Grammar
  • Wolf Alice

Song of the Year

  • ‘Latest Trends’ – A1 & J1
  • ‘Easy On Me’ – Adele
  • ‘Don't Play’ – Anne-Marie, KSI & Digital Farm Animals
  • ‘Remember’ – Becky Hill & David Guetta
  • ‘Obsessed With You’ – Central Cee
  • ‘Clash’ – Dave ft Stormzy
  • ‘Bad Habits’ – Ed Sheeran
  • ‘Cold Heart (Pnau Mix)’ – Elton John & Dua Lipa
  • ‘Heat Waves’ – Glass Animals
  • ‘Bed’ – Joel Corry, Raye & David Guetta
  • ‘Holiday’ – KSI
  • ‘Wellerman’ – Nathan & 220Kid & Billen Ted
  • ‘Friday’ – Riton, Nightcrawlers & Mufasa
  • ‘Body’ – Tion Wayne & Russ Millions
  • ‘Little Bit Of Love’ – Tom Grennan

Best New Artist

  • Central Cee
  • Griff
  • Joy Crookes
  • Little Simz
  • Self Esteem

Best International Artist

  • Billie Eilish
  • Doja Cat
  • Lil Nas X
  • Olivia Rodrigo
  • Taylor Swift

Best International Group

  • Abba
  • BTS
  • Maneskin
  • Silk Sonic
  • War On Drugs

Best International Song

  • ‘Your Love (9PM)’ – ATB / Topic / A7S
  • ‘Happier Than Ever’ – Billie Eilish
  • ‘Love Nwantiti (Ah Ah Ah)’ – Ckay
  • ‘Kiss Me More’ – Doja Cat ft SZA
  • ‘Girls Want Girls’ – Drake ft Lil Baby
  • ‘Heartbreak Anthem’ – Galantis, David Guetta & Little Mix
  • Black Magic’ – Jonasu
  • ‘Stay’ – Kid Laroi & Justin Bieber
  • ‘Montero (Call Me By Your Name)’ – Lil Nas X
  • ‘Calling My Phone’ – Lil TJ & 6lack
  • ‘I Wanna Be Your Slave’ – Maneskin
  • ‘Good 4U’ – Olivia Rodrigo
  • ‘Rapstar’ – Polo G
  • ‘The Business’ – Tiesto
  • ‘Save Your Tears’ – The Weeknd

Brits Rising Star

  • Holly Humberstone
  • Bree Runway
  • Lola Young

Best Dance

  • Becky Hill
  • Calvin Harris
  • Fred Again
  • Joel Corry
  • Raye

Best Rock/Alternative

  • Coldplay
  • Glass Animals
  • Sam Fender
  • Tom Grennan
  • Wolf Alice

Best Pop/R&B

  • Adele
  • Dua Lipa
  • Ed Sheeran
  • Griff
  • Joy Crookes

Best Hip Hop/Grime/Rap

  • AJ Tracey
  • Central Cee
  • Dave
  • Ghetts
  • Little Simz

Producer of the Year (To be announced in January 2022)

Songwriter of the Year (To be announced in January 2022)

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