NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Bryan K: My new album has something for everyone

29 Oct 2020 - 18:37

cc-img flag-img

Zimbabwean Afro-soul musician Bryan K is a budding young artist who works tirelessly to gain momentum and transcend his country’s borders musically. The Chinhoyi-born singer got his first big break when he won the Starbrite Zimbabwe talent show in 2012. Since then, he has shared the stage with artists such as Burna Boy (Nigeria), Mr Eazi (Ghana), Mi Casa (South Africa), Lucius Banda (Malawi) and the late Oliver Mtukudzi (Zimbabwe), among others.

Bryan K.

Born Bryan Kadengu, Bryan K credits Ringo Madlingozi, Mtukudzi, Jabu Khanyile and Hugh Masekela for inspiring him throughout his music career. The ‘Heavy Machine’ hitmaker has now released three albums, including his debut offering Nyaya DzeRudo (2015), followed by Evolution K (2018) and his latest eight-track project Bibo Worldwide, which features fellow local artists Crooger, Nutty O, Junior Brown, Tamy Moyo , Anita Jaxson, Simba Tagz and Mi Casa's Mo-T.

The new album’s title draws from noble notions of peace and harmony and speaks about his relentless desire to get his music heard around the world. Bibo Worldwide is a platform to “send a message of unity and love," Bryan K told Music In Africa. "Bibo is my childhood nickname and it’s my story as a Zimbabwean – a story that a lot of Zimbabweans and other Africans can relate to. ‘Worldwide’ represents me taking that story to the world.”

The album boasts songs such as ‘Shaina’, ‘Kure Kure’, ‘Hupenyu’, ‘Simudza Msoro’, ‘Ita’ and ‘Dzemabwe’, among others. Persistence is the constant message that unfolds throughout the offering and the music is multilayered and weaved into themes.

“I touch on social issues, things that I see people go through every day. There’s a lot of songs encouraging people to keep pressing on, to keep working hard. I also talk about love on side B of the album. This album has got something for everyone. I want to change people’s lives in whatever way I can and I love singing.”

He’s also known for his remarkable skill of captivating audiences emotionally with his vocal dexterity. Bibo Worldwide, too, serves a heavy dose of Afro-soul, which the musician wants everyone to experience. And like his previous albums, the bilingual singer delivers the songs in Shona and English. “It’s music that people can vibe to anywhere in the world regardless of the sound.”

The album also featured different contributions from a number of artists around the world, and makes for a more globally appealing piece. “I’ve got Brian Soko, a Grammy Award-winning songwriter, who did production on some of the songs. I also had different people from different countries around the world that I worked with when I was picking the songs for the album and they all had different songs that were their favorites so that was a good sign.”

Asked about what inspired his bilingual approach to music, Bryan K said: “My life experiences. I grew up listening to a lot of R&B and soul music which was sung in English but I process my thoughts in Shona so I expressed myself in either language depending on the subject matter.”

Like most artists, the singer says part of his music business plummeted due to the COVID-19 pandemic. “It’s been really difficult because I survived on live performance like many other artists out there, but it also gave me time to go back to the drawing board and really think about the music I want to make and how I’m going to push as an independent artist.”

He adds: “I’ve been in the studio working from home and I’m blessed to have a supportive family that made sure I was comfortable enough to create. My advice to other artists is stay in your lane and do you, believe in yourself and be open to learn.”

Listen to Bryan K’s Bibo Worldwide here.

Please log in to post a comment.

Most popular

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media