NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Burna Boy to feature at Lagos International Jazz Festival

27 Apr 2016 - 11:18

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The Lagos International Jazz Festival, taking place on Friday 29 and Saturday 30 April, has announced a list of performers for the annual event.

Burna Boy

The participants include Mike Aremu, Sharp Band, Mike Aremu, Sharp Band, Orliam, Herbert Kunle Ajayi, Skata Vibrations, Seun Olota, Adeh and Akeem Lasisi, while pop act Burna Boy is expected to put in a guest appearance.

Last month, the ‘Don Gorgon’ singer released a video for the single ‘Rizzla’—a single from his sophomore album On A Spaceship (2015). The festival, itself is dedicated to the pop star’s grandfather Benson Idonije, a famous music critic who turns 80 this year.

Leading up to the event, organisers Inspiro Productions have arranged a few jam sessions, with performances around Lagos. The festival proper takes place in two major venues: a luxury event at The Bay Lounge in Lekki, Lagos and a regular event at Freedom Park on Lagos Island, the usual venue for the festival.

Besides Inspiro Productions, the Lagos state will also be hosting an event in commemoration of the International Jazz Day and its 50th anniversary as a state. The official premises of the governor will be used in the celebration, which is tagged ‘Lagos in tune with the World’.

Speaking about both, the Lagos state Commissioner for Information and Strategy said, this is another opportunity to open up Lagos to the wold. “The Lagos International Jazz Festival is to hold at the Freedom Park,” he said, “while on the 30th Ambode and stakeholders of the Jazz industry in Lagos State will celebrate Lagos International Jazz Festival at the State House.”

The Lagos International Jazz Festival is inspired by the Cape Town International Festival. The latter is known to draw a considerable audience and major investments into South Africa—a success Lagos state appears keen to replicate.

“Half of the people who went for the festival were from outside South Africa,” Ayoola Shadare, head of Inspiro productions, told This Day about his encounter with Cape Town’s festival. “It was a festival that had about 35,000 people. That meant that at least 17,000 are obtaining visas to go to South Africa every year and they would buy flight tickets, book hotels, hire taxis, spend money and impact the economy.

“That is what the Cape Town Jazz Festival got the mandate to hit one million Rand to affect the GDP of South Africa. Even though there are years when it seemed as if the festival was having setbacks, it had become too important to let lack of funding not let it happen. The model was unique: one venue, five stages, 40 international artists. No other festival does it better in the continent.”

The 2015 edition of the Lagos festival was dedicated to Rashid Lombard, founder of the Cape Town Jazz Festival.

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