NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Bushfire fest confirms artists from DRC, Niger and South Africa

16 Feb 2017 - 16:35

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MTN Bushfire has announced the first batch of artists to perform at Swaziland's biggest music gathering in May. The first selection of musicians alludes to the festival’s mission to once again provide fans with a diverse line-up from across the African continent.

Tuareg musician Bombino will be performing at this year's Bushfire festival.  Photo: Alice Durigatto

Congolese musician Baloji, Tuareg guitarist Bombino and Belgian-South African newcomer Petite Noir are among the first artists confirmed to play Bushfire’s main stage. South African kwaito superstars TKZee will also make their long-awaited return.

Made up of three school friends who have all forged successful individual careers since their heyday – Zwai Bala, Kabelo Mabalane and Tokollo Tshabalala – TKZee are slated to make a lasting impression on festivalgoers. Known for their ‘90s hits ‘Take it Eezy’, ‘Palafala’ and ‘Shibobo’, the trio is expected to be a favourite among the South African contingent at the festival.

Tuareg music and culture has captured the imaginations of fans for decades. Niger’s Bombino continues the rich history of desert rock even after two of his band members were killed during the Tuareg rebellion of 2007, the same year the self-proclaimed rebel went into exile in Burkina Faso. His musical journey has taken him to the US where he recorded a version of the Rolling Stones classic ‘Hey Negrita’ alongside Keith Richards and Charlie Watts.

Bombino’s first internationally released album, Agadez, received worldwide recognition after its release in 2011. His follow-up, Nomad (2013), was produced by The Black Key’s Dan Auerbach and debuted at No 1 on the Billboard World Music Album Chart, earning rave reviews. Azel, his 2016 release, received critical acclaim, with Pitchfork giving the album a rating of 7.8 and calling it “a sublime iteration of desert blues that’s both authentic and ambitious”.

Baloji, who grew up in Belgium, is a poet, composer, lyricist, beatmaker, scriptwriter, actor and video artist. His genre-busting compositions are poised at the crossroads of traditional African music, rap, soul, funk, jazz and even deep house. The francophone singer has achieved international praise since the release of his 2008 debut album Hotel Impala.

The last of the announced artists, Petite Noir, is a young South African of Belgian and Angolan descent. He was one half of Popskarr and was also a member of the Capital of Cool music collective. Since his recording debut in 2012, Noir has created what he describes as "noir wave" or "new wave with an African aesthetic". He has been described as one of the most exciting new artists to emerge from the thriving Cape Town electro scene.

MTN Bushfire will take place on 26-28 May near Manzini. For more information visit the festival’s official website.

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