NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Caligula’s Horse on upcoming ‘Africa odyssey’

08 Aug 2024 - 14:52

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Australian progressive metal outfit Caligula’s Horse is set to tour South Africa later this month to play shows in Stellenbosch and Johannesburg on the 23rd and 24th, respectively. As the band prepares for its first performance in the country, lead vocalist Jim Grey shares the band’s excitement, expectations, and insights as they look forward to bringing their powerful, unique sound to local metal fans.

Caligula’s Horse. Photo: Instagram

Grey tells Music In Africa that touring Africa was never on their radar, but when the opportunity arose, they jumped at the chance. “It’s not something I ever thought was possible. Our focus has been on our home country of Australia, and expanding to Europe, North America and Latin America. So when the opportunity came our way, we just jumped on it – couldn’t miss out on a one-of-a-kind experience, coming all the way to South Africa to celebrate our music with you guys.”

Caligula’s Horse is anxious and excited to learn and connect with African metal fans, hoping to find common ground through their energetic and celebratory live shows. “We love getting crowds moving and singing along. If that’s something you guys are into, let’s go! I’m looking forward to sharing the stage with local bands and seeing what they’ve been cooking up,” Grey says.

While the logistics of touring South Africa present unique challenges, the band is no stranger to such obstacles. “We’ll likely spend as much time in the air to and from this tour as we will in your country, which is as hilarious as it is painful! We’re absolutely used to these challenges, though – all part of doing what we do.”

Cultural influences and the African metal scene

Caligula’s Horse’s music reflects their Australian cultural background, with a strong sense of community and influence from the local scene. According to Grey, metal music has the power to bridge cultural divides and bring people together. He believes the band’s Australian roots and ‘larrikin Aussie tone’ shine through in their music, which he describes as blending “storytelling and honest emotion” with a “very relaxed and jovial” stage presence. “There are a lot of incredible bands coming from our part of the world with really original sound – could be due to our isolation and us just cooking away in the distance, but there’s definitely an element of community and influence in the Australian scene.”

He says they are not afraid to put storytelling and honest emotion into their music, but “when we take the stage in a new country, we’re reminded of just how Australian we are – relaxed, jovial, and always up for a good time.”

As for the African metal scene, Grey admits he is unfamiliar and is eager to be educated and discover new music. He plans to engage with local fans and artists, seeking out new music recommendations and insights into the cultural landscape. “I’m always seeking new sounds, especially underground music. I stream a programme on Twitch where I play and review music from artists with fewer than 200 listeners on streaming services to try and get some names out there and find some absolute hidden gold.”

He adds: “I’d love to get some music recommendations and feel out what life is like as a muso (musician) there and how you all feel about music culturally.”

Live show expectations

Fans can expect an intense, physical, celebratory, and emotional live show, with a focus on connection and community. “We’re bringing a whole bunch from our new album Charcoal Grace, which is an album we’re truly proud of. Our fans are always incredibly vocal, receptive and welcoming.”

Their project encapsulates the band’s experiences during the pandemic era, with a focus on hope, love, and celebration. “It was a catharsis for us; we thought we had lost everything – our careers, our hopes, and our livelihoods. But there’s still so much to save, and we can do that together.”

With days before the band performs, Caligula’s Horse is poised to share that unifying energy with South African metal fans, and Grey hopes the experience will leave a lasting impression. “We have and always will carry with us a message of peace, love, tolerance and celebration. There was a point in our career where we actively decided not to celebrate darkness or sadness, and even when we write about harder topics and emotions, we want to present a way out, some light and colour. It’s important for us to share that with our audience as well.”

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