NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Call for applications: Cape Town Opera artistic director

26 Jul 2021 - 15:25

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The Cape Town Opera (CTO) company is seeking an artistic director who will operate from the Artscape Theatre Centre.

The submission deadline is 31 August. Photo: Cape Town Opera

The successful candidate will be employed for four years and should achieve artistic excellence in all CTO artistic activities, both locally and internationally. He or she should complete a calendar of activities within the agreed production budgets and maintain healthy, productive relationships with staff, ad hoc personnel and company stakeholders.

Requirements

The ideal applicant should possess the following qualifications:

  • Outstanding abilities and strong track record as a director, producer, conductor and/or performing artist of opera, demonstrated by a commitment to, creation of, or participation in quality opera productions.
  • Documented professional directing, conducting, producing/performing experience within opera companies, university opera programmes and/or coaching a range of operatic repertoire.
  • Hands-on, nuts-and-bolts experience overseeing and implementing the production of opera and the key artistic personnel required to do so – including, but not limited to, casting roles, vocal preparation, technical and rehearsal scheduling, working with orchestras, design (scenic, lighting, costume and audio-visual).
  • Sensitivity to the dynamics of working within a multicultural, multilinguistic South African context, and experience and/or demonstrable potential to engage with and reflect South African musical culture in CTO programming.
  • Ability to work with singers of varying ages and operatic experience – in particular, should be a mentor to singers in the Young Artist Programme.
  • An international reputation and extensive record of mounting opera productions, or demonstrable potential to build such a reputation.
  • Comprehensive knowledge of the local and international opera scene and excellent sectoral awareness, including best national and international practices. Possessing a deep network of relationships in the opera industry, e.g. artist managers, singers, directors, designers and artistic leaders in other opera companies.
  • Ability to diversify, capitalise on and/or increase the number and quality of productions and projects undertaken by CTO in South Africa and abroad.
  • Ability to think and plan efficiently and creatively to maximise CTO’s visibility and quality while working within strict financial constraints.
  • Ability to adapt quickly and creatively to changing circumstances.
  • Knowledge and experience with non-opera performing arts (e.g. musical theatre) is desirable.
  • Strong skills as an organisational and cultural leader. Proven ability and a demonstrable track record in leading and working with teams in a flexible, meticulous and consultative manner within a production context with organisational staff and across partner companies and institutions.
  • Excellent interpersonal skills and a high level of empathy, fully embracing CTO’s code of ethics and company values.
  • Decision-making capabilities that balance artistic aims with financial plans and funding challenges.
  • High level of negotiation skills.
  • Coordination and implementation of activities with the managing director and department heads.
  • Excellent written and spoken communication skills in English in a range of professional contexts.
  • Excellent organisational skills, including time, project and budget management.
  • Demonstrable experience building and maintaining relationships with funders, artistic partners, community leaders and other stakeholders.

Responsibilities

  • Reporting to the managing director.
  • Serving as custodian of artistic standards of the company.
  • Developing the annual artistic and educational programme and budget in collaboration with and approval of the managing director, across opera, choral and other mediums.
  • Initiating proposals for new productions and repertoire, including remounting existing productions.
  • Sourcing, hiring, supervising and evaluating artistic personnel, with support from CTO staff and within approved budgets, in the following departments: Young Artist Programme, Chorus and Youth Development and Education, including relevant ad hoc positions.
  • Conceiving an artistic vision aligned with CTO’s vision, mission, code of ethics and company values and implementing and evaluating the relevant programmes for the year, both locally and internationally.
  • Fostering the development of good relations with other cultural organisations, including the University of Cape Town College of Music, by participating in meetings and implementing joint activities.
  • Sharing artistic oversight of CTO/University of Cape Town College of Music collaborations with the director of the UCT Opera School.
  • Serving as a strong ambassador for CTO, animating and extending the societal value, relevance and impact of the company, its productions and its educational and outreach activities.
  • Leading the resourcing of its productions and leveraging national and international networks for the development of opera in South Africa.
  • Acting as a spokesperson for CTO’s artistic purpose via speaking engagements, public and media appearances, fundraising events and opportunities for stakeholder engagement.
  • Providing conceptual briefs, artistic input and narrative content as needed for marketing and publicity of CTO productions and artistic endeavours.
  • Reporting to the board of directors on a quarterly basis, providing an update on artistic activity and supervision of artistic staff.

Additional requirements

  • Must have appropriate tertiary qualification.
  • Ability and willingness to work nights, weekends and holidays as required.
  • Willingness to travel nationally and internationally for auditions, performances, networking and advocating on behalf of CTO.
  • Proficiency in MS Office and use of databases.
  • Must be resident in Cape Town working on CTO productions during the period of engagement as artistic director.
  • Must have a valid South African work visa.

Interested applicants can submit CVs and a list of four contactable references to [email protected].

The submission deadline is 31 August.

View the original call here.

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