NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Call for applications: Cape Town Opera head vocal coach

21 Jun 2022 - 11:18

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Cape Town Opera is inviting applications from experienced candidates to fill in the position of head vocal coach.

The application deadline is 15 July. Photo: Cape Town Opera

The company has a current staff compliment of 18 chorus members, four young artists, two soloists and 22 administrators and managers overseen by a nine-member board of directors. The successful candidate will work at the Cape Town Opera based at the Artscape Theatre Centre in the foreshore area of Cape Town from September.

Applicant requirements

  • The applicant must be an accomplished pianist and vocal coach with experience in the training of both professional and student opera singers. Expertise is assumed in the major operatic languages, musical styles, audition repertoire and principles of vocal technique and health.
  • A good communicator and fluent in English. The applicant will show initiative and passion in the development and training of opera singers. Artistic duties are to be performed at Cape Town Opera rehearsal rooms as well as area performance venues.
  • The position is full-time and supervised by the Cape Town Opera artistic director. Work hours may include weekends and holidays. The successful applicant must be willing to tour nationally or internationally, if necessary, in conjunction with Cape Town Opera’s production and concert schedule.

Qualifications

  • A Bachelor’s or Master’s degree in piano, vocal coaching or conducting.
  • Substantial experience playing conducted rehearsals for opera productions and postgraduate-level voice studios; preferably also experience playing for acting and dance coaching, plus conducting rehearsals and playing keyboard parts in the orchestra pit or recitatives in performance.
  • Ability to sing cues while playing and demonstrate vocal phrase structure and breath control.
  • Familiarity with the entire standard operatic repertoire, including the ability to accompany most audition repertoire without rehearsal.
  • Evidence of success as a studio vocal coach with college level singers or above.
  • Solid mastery in at least French, German, or Italian, plus English, and reliable diction knowledge of the other languages.
  • Team spirit and interest in the development of singers and the success of productions.

Applicant responsibilities

  • Preparing solo singers for any role, audition, or concert repertoire they may be required to perform.
  • Backstage cueing or conducting and acting as a musical assistant to the conductor.
  • Instruction and refinement of singers’ diction, stylistic and interpretive skills associated with operatic performance.
  • Serving as pianist as required for the rehearsals and performances for operas, concerts, masterclasses, lectures/demonstrations or other musical productions.
  • Accompanying singers for any auditions as required by Cape Town Opera.

Compensation, application procedure and start date

Applications for the first round of the selection process will be accepted from 15 June – 15 July. CVs and a list of three contactable references should be sent via email to [email protected]. All information will be kept confidential. Successful applicants will be invited to audition for the second round; details will be made available at the appropriate time.

Compensation information will be provided to successful applicants. References will be contacted only on prior notification to the applicant. The anticipated start date is 1 September. Cape Town Opera reserves the right not to make an appointment.

Established in 1999 as a non-profit performing arts company, Cape Town Opera is South Africa’s and Africa’s only full-time opera company. Annual activities include fully staged opera productions in Cape Town, national music education programmes for primary and secondary school learners, as well as national and international touring of operas and concerts.

View the original call here.

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