NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Call for applications: Concerts SA mobility fund

22 Aug 2018 - 11:13

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Joint South African-Norwegian project Concerts SA is calling on artists to apply for mobility funding. The Music Mobility Fund is a tour support mechanism that offers opportunities for South Africa-based creatives to undertake live music tours.

South African-based Zimbabwean artist Mae Sithole performed at the Harare International Festival of the Arts through the Concerts SA mobility fund.

Music professionals can apply for the National Mobility Fund (for tours in South Africa) and the Regional Mobility Fund (for tours taking place in Southern African Development Community [SADC] countries, except South Africa).

Application process

Applicants must complete the online application form in English and submit before 16 September 2018.

Applicants need to includ the following mandatory documents:

  • ID/passport copy for individuals and organisation representatives
  • Company registration documents.
  • Track record (biography, EPK, CV, press coverage, weblinks, evidence of recognition awards, public appearances, etc.)
  • Budget of the project (including projected income and expenditure).
  • Calendar of activities with tour schedule.
  • SADC regional projects must include a letter or email from the local host confirming their support and involvement.
  • Proof of interest and involvement in the project from hosts, partners and stakeholders, such as letters, emails, etc.

The programme is open to individuals and organisations:

  • That can demonstrate a track record in the music sector.
  • Whose work will benefit from launching better networks – either musically/creatively or in terms of developing an audience for their work.
  • That feature the creation of new opportunities for artists and arts professionals either in South Africa or host countries.
  • That have not received support through the Mobility Fund in the three previous funding rounds (February 2017, June 2017 and January 2018).

Grants are available to:

  • Individuals: musicians, managers, promoters, producers, agents, groups (one member will need to take the lead and have the main responsibility for managing the grant process). All people participating in the project must be over 18 years old and hold a valid passport (only applicable for regional touring).
  • Organisations: music organisations and businesses (both for-profit and non-profit), record labels, agencies, forums, associations, partnerships, local, regional and national organisations, and groups of organisations (one will need to take the lead and have the main responsibility for managing the grant process).

In order to be eligible for a grant, you must:

  • Be established in South Africa.
  • Be directly responsible for the preparation and management of the project (not an intermediary).

Projects

The types of projects that may be financed are:

  • Tours and concerts: performances, country and regional tours, participation at festivals and showcases etc. (where you are able to demonstrate that such performances will develop your professional or creative practice).
  • Collaborations: artistic collaborations between musicians that lead to live music performances.
  • Performance-based workshops.

The requirements for the National Mobility Fund are:

  • Mobility: while artists from all provinces are invited to apply for national projects taking place in any South African province(s), the bulk of the activities must take place outside the province where the artist is based.
  • No double-dipping: the project activities will not be eligible for additional Concerts SA funding through its partner network of venues and promoters.

The requirements for the Regional Mobility Fund are:

  • Regional partners: the applicant will need to conduct his/her own research and have identified and communicated with a potential partner or host based in the country he/she wishes to work with. The partner may be an individual or organisation and must be an established musician or music professional.
  • SADC countries: the project must take place in one or more of the following countries: Angola, Botswana, Democratic Republic of Congo, Lesotho, Madagascar, Malawi, Mauritius, Mozambique, Namibia, Seychelles, Swaziland, Tanzania, Zambia and Zimbabwe. While activities in South Africa may be included as part of regional projects, the bulk of the activities must take place outside of South Africa.

Grant amount and costs

Applicants may request:

  • Up to R30 000 for national projects.
  • Up to R45 000 for SADC regional projects.

"This amount must not exceed 80% of the total costs of the project," Concerts SA said. "The financial grant covers up to 80% of eligible costs for travel, transport, accommodation, per diems, technical costs, visas and administrative costs. In exceptional cases, the grant may cover the entire eligible costs of the project if this is deemed essential to carry it out, and does not exceed the maximum funding that may be requested.

“If that is the case, the applicant must justify the request for full financing in the grant application form. Projects requesting amounts higher than the limits stated above will not be considered. Applicants are encouraged to seek additional, external support, funding and sponsorship for their project."

The duration of the project may not be less than four days, nor exceed three months. Projects may start by the end of October 2018 onwards and must be completed by the end of May 2019. Touring projects may be split in several legs, if required. All participants must be over 18 years old.

Non-eligible types of project include: academic research projects, scholarships and fellowships for studies or training courses, fund-raising events such as charity galas, projects supporting political parties or religious faith, recording of albums, and music-education projects.

The items that the fund will cover are:

  • Travel and transportation, accommodation, daily needs (per diems), hiring of backline and other music and sound equipment, artwork design and printing, travel insurance, visas, tour coordination fee (up to a 5% of the rest of the costs covered by the grant).

The items that the fund will not cover are:

  • Musicians' and artists' fees, hiring of venues and other spaces, buying assets, such as equipment, computers, software and instruments, general running costs and overheads, costs that are already covered by other funding.

About Concerts SA

Concerts SA is a joint South African-Norwegian initiative housed under the auspices of the Stakeholder Hub within the SAMRO Foundation. It receives financial, administrative and technical support from the Norwegian Ministry of Foreign Affairs, the SAMRO Foundation and Kulturtanken.

For more information about this call, visit the Concerts SA official website.

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