NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Call for applications: Heida Hermanns Piano Competition 2022

22 Jun 2021 - 13:25

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Applications are ongoing for the 2022 Heida Hermanns Piano Competition.

Heida Hermanns Piano Competition 2019 winner Priscila Navarro.

Founded in 1972, the global contest seeks to advance the careers of accomplished young pianists, string musicians and vocalists around the world.

The competition welcomes pianists aged 18 to 35 and prior entrants (though not finalists) are also welcome to apply.

The competition features two rounds. The preliminary round is online and the application deadline is 31 July.

Preliminary: Online application requirements

  • Applicants must submit an all-inclusive video recording via a private YouTube link.
  • The video length must not exceed 45 minutes; each piece must not exceed 15 minutes, and the applicants must choose three pieces from their solo piano repertoire that demonstrate their technical mastery, artistic expression and facility in a broad range of genres.
  • Each piece must be drawn from three of the five eras, namely baroque (1600-1750), classical (1750-1800), romantic (1800-1900), modern (1900-1960) or Contemporary (after 1960).
  • Spoken introduction: Applicants must discuss their reason to perform the selected works. The speech must be at least five minutes and no more than 10 minutes. This must be included before one of the three pieces. Applicants who do not include a spoken introduction will not be considered.
  • Proof of age via a valid driver’s licence or birth certificate.
  • A brief CV of no more than three pages, providing education, coursework, research activities, performance experience, awards and another relevant background (no promotional materials).
  • Phone number and email address.

Final round

  • An afternoon masterclass with young pianists, an appearance on public radio, a solo evening performance, and a gala awards presentation, to be held on 13 to 15 January 2022 at the Museum of Contemporary Art (MoCA) in Westport, US, and at the Westport Public Library.
  • Each finalist will be required to demonstrate their coaching skills to a young pianist studying in the Westport area. Fluency in English is required.
  • Each finalist will also give a solo evening performance, which will consist of approximately one hour of music with brief spoken introductions to the audience.
  • Each finalist’s solo evening performance must also include two contrasting movements drawn from ‘In The Bottoms’, ‘Enchantment’ and ‘Tropic Winter’, all solo piano works by African-American composer Robert Nathaniel Dett.
  • The remaining music in the solo evening performance will consist of a repertoire entirely of the finalist’s selection.
  • All solo evening performances will take place at MoCA Westport on its restored Hamburg Steinway ‘D’ concert grand piano, in front of a live audience as well as on streaming video.

Interested individuals can apply here.

View the original call here.

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