NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

opportunities

Call for applications: JM Jazz World Orchestra in Croatia

02 Feb 2022 - 12:34

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JM International is inviting young talented jazz musicians aged between 18 and 26 from around the world to apply to be a part of the 2022 JM Jazz World Orchestra (JMJWO). The 2022 session with the orchestra will take place in Grožnjan, Croatia, in July.

The applications deadline is 31 March. Photo: Facebook

The JM Jazz World Orchestra is a premier international youth jazz orchestra comprising 21 talented jazz musicians who are selected through a global open audition by an international jury. The band works with some of the world’s finest conductors, players and composers, and tours annually, appearing at prestigious European venues and jazz festivals.

The JMJWO is a unique opportunity to play with other first-class, young jazz musicians from around the world and to learn from some of the world’s most accomplished jazz virtuosos who direct, mentor and perform alongside the orchestra. On top of maintaining the highest standards of musicianship, the orchestra offers an invaluable intercultural learning experience and a taste of the life of an internationally touring musician.

The 2022 session will offer the perfect setting to rehearse, hang out and soak up the musical history that lives in the village of Grožnjan. The session will begin with a week of rehearsals, followed by a seven to 10 day international festival tour.

How to apply

Applicants can apply online here before 31 March.

Candidates should be prepared to provide the following information:

  • Full CV. The CV must contain information about the faculty of music, academy or school of music, and experience acquired as a jazz musician.
  • Links to videos with the applicant performing at least two different pieces: a theme and an improvisation. The candidates need to be clearly heard, with a soloist part.
  • A written recommendation from a music teacher or similar.
  • A signed statement from either the applicant’s parents, applicant, university, school or a JMI National Member or Associate Section, stating that the applicant’s travel costs to and from the tour will be covered.
  • A copy of the applicant’s passport.

Selection procedure

A professional international jury will select the best candidates. The candidates who make it through the first selection may be asked to present additional material.

Announcement of results

The jury will select up to 25 musicians to form the JMJWO 2022 as well as a reserve shortlist of musicians, who may join the project in the case of cancellations. All candidates will be notified about the results by the end of April.

Conditions

  • During the artist’s stay, all accommodation and material needs are provided by JM International. Transportation to and from the session in Grožnjan must be covered by the participant but may be sponsored by the applicant’s national JM member organisation or other local organisations or schools.
  • Musicians must take care of their own visas and all other official requirements, and ensure that they have sufficient pocket money for their private expenses.
  • If invitation letters are required, applicants should contact JM International at [email protected] once selected.
  • Applicants must have a good comprehension of English as all workshops will be in English. Spanish is welcome too.
  • Selected musicians must insure their own instrument(s), travel and health insurance.
  • All musicians are expected to be fully vaccinated for COVID-19 and present relevant documentation in order to participate at the event.

“We are looking for highly talented musicians between the ages of 18 and 26, playing saxophone, trombone, trumpet, horn, tuba, guitar, bass, drums, percussion, piano and vocals, and if you improvise, all other instruments are welcome. It is essential that you read sheet music, but the most important thing is your love for jazz,” JM International said.

View the original call here.

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