NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

opportunities

Call for applications: LAPA Season II artist residency in Johannesburg

30 Jun 2022 - 09:47

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Goethe-Institut in South Africa is inviting artists across all disciplines based in Africa to submit applications for its LAPA artist residency in Johannesburg from 3 October to 5 December.

The LAPA artist residency space in Brixton, Johannesburg. Photo: Dave Southwood

Evolving from the LAPA Season I residency, LAPA Season II invites two artists as an artistic duo or pair. Working from Roger Robinson’s ‘A Portable Paradise’ (2022) and Albert Camus’ ‘Create Dangerously’ (1957), the residency wonders on theories and practices of collectivity, third spaces, shared inquiry and co-citizenship to consider art as a social practice. How do communities reclaim and redefine their inherent values?

Who can apply?

LAPA is developed for artists across all disciplines based in Africa. Priority will be given to pairings working on the continent seeking to expand their working relationship and continue developing their artistic language and research. Applications are open to all (with or without formal art education) who have been professionally active for at least six years.

Applicants are required to prepare the following:

  • An outline/proposal of the intended research and project work. Applicants should include any references, books, music or external sources that influence their work so that the organisers can see their approach and thinking (max 800 words).
  • For organisers to understand the artists’ use of the residency time, applicants should provide a short work plan or outline (max 450 words).
  • A portfolio of prior and existing work for both artists that relates to the proposal/work plan, including a biography of each individual or as a pair (max four pages).
  • One page CV.
  • One minute video introducing yourselves and your work.
  • The programme is run in English, but applicants are welcome to develop and present bilingual/multilingual approaches.

How to apply?

  • Applications should be submitted here before 15 July.
  • Any questions for clarity regarding the application should be sent via email to [email protected] before 11 July.
  • All applicants will receive a response by 15 August.

The selected artistic duo will be contacted timeously in order to best prepare for their residency period. Artists will receive a letter of invitation and itinerary and will be expected to apply for their visas in order to secure all travel arrangements. Artists working together, in tandem and in pairs, are welcome to submit a joint application.

Note: Late or incomplete submissions will not be accepted.

Outcome(s)

As the name LAPA reflects the residency’s manifesto, the core principles relate to neighbourliness, conviviality, community, healing, environment and home. Artists are encouraged to engage with ideas and metaphors of community through their work and the Brixton and arts community of Johannesburg. The duo will be expected to present their work in any format they choose. LAPA hosts a ‘function-first’ public space on the ground floor of Breezeblock, which is a library and office space. The artist should consider their trace and impact in the community of LAPA and Brixton.

Accommodation and studio information

The artist pair will live on the third floor in the LAPA apartment, with two bedrooms, two bathrooms, open plan kitchen, dining and living area, which can also accommodates a studio space. The kitchen area is a communal area for the team’s use. Should the residents have specific studio-based needs, this must be clearly outlined in their applications. Artists will have access to a communal workspace on the ground floor. At its heart, they’ll find a well-equipped, cosy office space, a shared courtyard at Breezeblock, and a slowly expanding archive and library.

What is paid for:

  • Travel to and from LAPA (return flight and ground travel from OR Tambo International Airport to Brixton, Johannesburg) and monthly living/subsistence costs.
  • Fee: R6 000/month ($370) each to cover basic living expenses and materials and resources.
  • A separate budget allocation is made for the artist’s public moment.

LAPA residency structure

LAPA is a communal, experimental thinking space in Brixton, open to publics. It ideates and hosts forms of gathering and being together. It is an offering for reflecting on restorative artistic and communal pan-African histories and practices. To reinitiate the space for Season II, LAPA invites artistic duos, acknowledging that great things come in pairs and more can be done when we work alongside each other.

“By inviting artists who work in a variety of mediums, we emphasise experimentation over medium,” Goethe-Institut said. “As a process-based residency for artistic research, artists have the space to determine their method and work plan as motivated by the demands of their research. LAPA commits to facilitate this by offering a welcome, working space, supportive programme of discussions, and connections to other art professionals. The residency will be supported by an organiser and mentors who will share resources with moments of reflection and critical feedback.”

View the original call here.

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