NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

opportunities

Call for applications: RMN Classical electroacoustic competition

26 May 2021 - 13:07

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UK record label RMN Classical is calling on composers, artists and creatives around the world to apply for its Electroacoustic Works competition.

The submission deadline is 27 June. Photo: Facebook

The call is open to composers, artists and creatives of any age and nationality. It seeks to promote the creation of new works written for the fascinating sound-art genre and to discover talented composers, artists and creators. The competition is ideal for artists who want to increase their chances to get discovered and want to strengthen their careers by winning and getting featured in a professionally curated album.



The winners will be featured in a top-quality album produced by RMN Classical and released worldwide through RMN Music. The new album will be distributed in a high-quality edition on Spotify, Apple Music, Amazon Music, Deezer, Tidal and numerous other stores and platforms. Optionally, there will be the possibility for physical distribution, sync and licensing opportunities (TV and film), and much more. The release and the winning works will also be added to the prestigious Sound and Music Archive of the British Library in London.

The prize will include:

  • Production of the album.
  • Mastering of the winning tracks.
  • Commercial release with worldwide distribution.
  • High-quality design of the cover artwork.
  • Design of promotional material.
  • Preparation of the promotional text.
  • Creation of the album press release.
  • Essential promotion including press release distribution and social media boost (check our catalogue for an overview of our editorial style).
  • Share of the royalties from sales and streaming.
  • The composer keeps the rights of the work and master recording.
  • Rights management and royalties collection.
  • British Library, Sound and Music Archive registration.
  • Creation of official album page and composer page on RMN Classical.

The following will be also included in the prize:

  • Option for synchronisation and licensing opportunities (TV and media).
  • Option for physical limited edition distribution and manufacturing (depending on demand).
  • Licensing and copyright clearance.
  • Full contracts and agreements with the winning composers and artists.
  • Barcodes and ISRC codes.
  • Press release preparation and coverage.

How to participate

Interested artists can apply here.

The submission deadline is 27 June. Early birds will pay an application fee of £37 (about $50) per work submitted. The standard application fee is £65 and no other fees or costs will be due if the composer is selected.

Accepted works: Electroacoustic works

For this project, electroacoustic is defined to include acousmatic, sound art and any type of composition made with electronics or written for electronic-only instruments. The work can include acoustic instruments, voices and percussions as well as live electronics or live processing.



Note: Artists should send a recording of the work for this call in order to qualify.

Accepted genre

Contemporary music no matter the genre or style (no jazz or pop). The work can have jazz, pop, rock, world or other influences but should mainly be contemporary or experimental in the field of electronic and sound-art music.

Multi-movement works

Multi-movement works can be submitted and will count as one work. For example: a collection of three works will count as three works and application fee should be paid three times or submission will be disqualified.

Note: There is no limit to the number of recordings that you can submit.

Requirements

  • Recording in MP3.
  • Score in PDF (if available).
  • Notes about the work in doc/docx.
  • Notes about the composer (bio) doc/docx.
  • Promotional photo of the composer.

The above material should be sent via Dropbox, Box or Google Drive. Files sent via WeTransfer will not be accepted.

“The composer should be the owner of the copyright and of the master recording and should be able to license the work for the release,” RMN Classical said. “Please double check with any recording/sound engineer and with your performers before submitting the work. If your work is already released by any other entity (record labels, managers, agencies, etc.), you might need a permission release document. If there is any irregularity we will reserve the right to withdraw your participation and the fee would not be refunded.”

View the original call here.

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