NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

opportunities

Call for applications: RMN Classical Modern Music for Piano competition

25 Oct 2021 - 15:39

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UK record label RMN Classical is calling on composers and performers around the world to submit works for its Modern Music for Piano competition.

Composers and performers around the world can apply.

The initiative seeks to promote the creation of new works for piano and discover composers to feature in the new album Modern Music for Piano 4, a new release that will be produced by RMN Classical.

The album will be distributed on numerous platforms and outlets around the world including Apple Music, Amazon Music, Spotify, Pandora and Deezer. It will be promoted on various news networks in North America and around the UK and Europe. Based on demand, there will be the possibility to print the release in a limited edition CD, and all the winning works will be added to the British Library Sound Archive. Future opportunities will also be extended to all the winning composers and tracks in the catalogue.

Benefits

All winning works will benefit from the following:

  • Production of the release.
  • Mastering of the work.
  • Design of the cover artwork.
  • Design of promotional material.
  • Creation of the album press release
  • Preparation of the promotional text.
  • Essential promotion including press release distribution and social media boost.
  • Share of the sales.
  • Composers will keep the rights to the work and master recording.
  • Commercial release with worldwide distribution.
  • Rights management and royalty collection.
  • British Library, Sound and Music Archive registration.
  • Creation of official album page and composer page on RMN Classical.

The following will also be included:

  • Option for synchronisation and licensing opportunities (TV and media).
  • Option for limited edition CD print (depending on demand).
  • Licensing and copyright clearance.
  • Full contracts and agreements with the winning composers and artists.
  • Barcodes and ISRC codes.

Guidelines

  • RMN Classical only accepts piano works.
  • For this call, only works for piano solo will be accepted.
  • Both live and studio recordings are accepted.
  • VST/computer-generated tracks are accepted.
  • Works that include electronics are accepted.
  • Works for duo, trio (chamber music), etc. (e.g. piano and flute) are not accepted.
  • Works that include voice or percussion are not accepted.
  • There is no maximum duration. Applicants are encouraged to submit short- and medium-length tracks.
  • There is no limit on the number of recordings that should be submitted.

How to participate

Applicants should apply here before 7 November (early birds). An application fee of £39 ($53) per work submitted is the only cost for the participant. No other fees/costs will be due if the composer is selected. The full price of £79 is required per work before 28 November.

Accepted genre

  • Contemporary music for piano solo is preferred.
  • Works with jazz, pop, world or other influences is accepted.
  • Piano duos or four (or more) hands are accepted.
  • Other combinations of duo and trio with piano (e.g. violin and piano, cello and piano) will not be accepted.

Multi-movement works

  • Multi-movement works can be submitted and will count as one work. E.g. A three-movement sonata will count as one work. Applicants should take note that sometimes to showcase more composers and performers, only a single movement from their work will be selected.
  • Collection of works will not count as one work and the application fee should be paid accordingly. E.g. A collection of three preludes will count as three works and the application fee should be paid three times or the submission will be disqualified. You will have the opportunity to indicate the number of works during the application process.

What to submit

A link to a folder containing the following material:

  • Recording of work plus score in PDF.
  • Notes about the work (Word file).
  • Composer’s biography (Word file).
  • One promotional photo of the composer (portrait orientation).
  • Notes in Word file and photo about the performer (optional).

Note: The link should stay active for the whole duration of the call and until the winners are announced. Accepted systems are Dropbox, Box and other similar services. Applicants should avoid Google Drive, WeTransfer and SoundCloud. Submissions that use Google Drive, WeTransfer, SoundCloud will get disqualified and the application fee won't be refunded.

Applications who do not meet the above-required material will be disqualified, and the application fee won’t be refunded.

View the original call here.

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