NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

opportunities

Call for applications: STARTS Prize 2022

01 Feb 2022 - 14:16

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Ars Electronica in Austria is calling on artists, creative professionals, researchers and companies around the world to submit applications for its 2022 Science, Technology and Arts (STARTS) Prize.

STARTS Prize 2021 winners Ania Catherine and Dejha Ti.

STARTS is an initiative of the European Commission designed to foster alliances of technology and artistic practice. As part of this initiative, the STARTS Prize awards the most pioneering collaborations and projects in the field of creativity and innovation at the crossings of science and technology with the arts.

Two prizes, each worth €20 000 (about $22 500), are offered to honour innovative projects at the intersection of science, technology and the arts: the emphasis of both prizes lies on the creative appropriation and employment of technologies as well as the search for unique constellations of collaboration from the STARTS fields.

The prizes are divided into two:

Grand Prize – Innovative Collaboration

Honours innovative collaboration between industry or technology and the artistic (and creative) sectors that open up new avenues for innovation.

Grand Prize – Artistic Exploration

Honours artistic research and works whose adoption by the arts has great potential to influence or change the use, application or perception of technology.

STARTS Prize 2022 priorities

In its new edition, the prestigious prize not only has an expanded consortium but also a thematic focus. The current spotlight lies on cross-sectoral projects investigating the disruptive powers of creative data and media innovation as well as on works exploring hybrid formats, ground-breaking technologies or initiatives of storytelling in next-generation media.

While all outstanding examples of innovative collaborations and artistic explorations in STARTS are highly encouraged to submit their works, the 2022 priorities lie on innovative projects:

  • That show a novel artistic approach to data.
  • That play with immersive technology, interactive media and related technological developments.
  • That display a democratisation in the use and application of data, and content development and creation in the media landscape.
  • That are involved in user-generated content or metadata, crowdsourcing and co-creation, or citizen involvement.
  • That reveal the potentials as well as risks of the organisation of contemporary data systems and media interfaces.
  • That manifest innovative ways in the unique creation, access and distribution of media content and platforms as well as personalised and non-linear storytelling that exhibits new, qualitative approaches as a result of disrupting traditional media.

What can be submitted?

  • Ground-breaking collaborations and projects driven by both technology and the arts. Purely artistic or technologically driven projects are not the focus of this competition.
  • All forms of artistic works and practices with a strong link to innovation in technology, business and/or society. Furthermore, STARTS is not restricted to a particular genre such as media art and digital art.
  • All types of technological and scientific research and development that has been inspired by art or involves artists as catalysts of novel thinking.
  • The jury is looking forward to receiving submissions from a broad variety of fields and disciplines. Among others, projects from the areas of new media applications, human computer interaction, machine learning, biotechnology, art and science, green technologies, material research, smart cities and citizen empowerment, robotics, quantum technology and many more are welcome to apply.

Who can enter?

Artists/creative professionals or the researchers/companies involved from throughout the world; STARTS is not limited to citizens of EU-member states.

Application deadline

The submission process for the STARTS Prize 2022 ends on 2 March. The submission platform can be accessed here.

Applicants should read about all rights and entry details before applying.

When and how does the jury reach its decision?

The jury convenes at the end of April. All STARTS Prize 2022 winners will be notified by mid-June 2022 at the latest.

According to which criteria are the entries judged?

  • Quality of the artistic research and its potential influence on technology.
  • Quality and success of the collaboration between art and technology.
  • Quality and intensity of the connection to innovation, education, social inclusion or sustainability.
  • Quality and implementation of the European Dimension of the submitted project.
  • General criteria such as aesthetics, originality, convincing concept, innovation and the technique and quality of the presentation.

Where and when will the winning projects be presented?

At the Ars Electronica Festival in September in Linz, Austria, and at various exhibitions and events of the consortium partners worldwide.

View the original call here.

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