NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Call for auditions for SA National Youth Orchestra

03 Mar 2015 - 08:43

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The South African National Youth Orchestra (SANYO) will be holding auditions around South Africa this month. This is your opportunity to earn a spot in their national team!

sanyo

Established in 1964, SANYO is South Africa's oldest youth orchestra. Its members are a national team representing an incredible youth orchestra movement that stretches from the Western Cape to Limpopo. Alumni from SANYO courses have gone on to play for internationally renowned orchestras.

The orchestra course experience is for young people interested in music, from grade 7 level to those just starting their professional careers. As a participant, you will be part of the Nationals community and benefit from a range of programmes, including opportunities for international music exchange, instrument repair courses, musician mentorship, arts administration internships and composition and conducting workshops. With a rich mix of participants and a faculty made up of renowned local and international music professionals, the SANYO Foundation offers diversity that is worthy of celebration. The orchestra strives for quality music and hopes that, like many alumni from their programmes, it will be a life-changing experience for you that will last you through your musical career.

Requirements

Applicants need to:

  • Be 25 or younger in 2015
  • Have attained a minimum of Grade 7 (music exam) on an orchestral instrument
  • Be resident in Southern Africa

You may audition on the following instruments: flute, piccolo, oboe, cor anglais, clarinet, E flat clarinet, bass clarinet, bassoon, contrabassoon, saxophone (soprano, alto, tenor and baritone - for June course), French horn, trumpet, tenor trombone, bass trombone, tuba, euphonium (for June course), percussion, timpani, harp, violin, viola, cello, and double bass. Wind instrument candidates are encouraged to also audition on their respective doubling instruments (piccolo, cor anglais, E flat clarinet, bass clarinet and contrabassoon).

Travel: You are expected to get yourself to the course. Auditions start on the first day of each course (be there before 12:00 please) and the course ends with our final concert in the evening on the last day of each course (most out-of-towners therefore leave on the morning of the day after the last day of course.)

Application

This application is for all of the National Youth Orchestra courses: the June Sasol National Youth Wind and String Orchestra Course, the July tour and the What It Takes intense courses.

A non-refundable application fee of R50 is charged to each applicant to cover administration and processing costs. Only one application fee is required, regardless of how many programmes you wish to apply for or how many instruments you apply on.

In order to do this application online, you will need a working email address and your South African identity number, or, if you are an international applicant, your passport number. This year we have limited seats for candidates from Namibia, Botswana and Zimbabwe.

The course fee is R1900. This includes accommodation, meals and tuition. Proof of payment is to be received by our offices a month before each course.

Bursaries (based on financial need), scholarships (based on merit) and payment plans are available to make the course open to all who wish to attend. If you have indicated on your application form that you require financial assistance, we will contact you to get the relevant information we need for the process.

Please note:

  • NO late applications or auditions will be accepted
  • Candidates should prepare a solo piece and a study of their choice to demonstrate their standard and fluency on their instrument.
  • Your programme (that means both study and piece together) should not exceed 5 minutes in length and you may make any required cuts to fit within the time limit.
  • Accompanists are not allowed.

Candidates who are not available for these auditions may submit their own recordings on condition that they follow the recorded audition procedure. Please note: own auditions are not encouraged, and National Youth Orchestra does not pay for the recording. You need to get permission from the National Youth Orchestra Artistic Committee to send in an "own audition". Email [email protected]

For more details go to http://tinyurl.com/ptngc85 and http://www.sanyo.org.za/courses/audition-faqs/

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