NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

opportunities

Call for entries: 2022 London International Music Competition

04 May 2022 - 11:16

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Artists around the world are invited to submit entries for the 2022 London International Music Competition (LIMC).

The submission deadline is 22 June.

The LIMC is divided into preliminary and final rounds online. Entrants must submit video materials for preliminary application with free entry, with the final selection of winners being based solely on the same video materials submitted in the preliminary contest. Multiple winners will be selected for each age group.

Interested participants should submit their entries here before 22 June.

Competition guidelines

Preliminary round (free entry)

Entrants must visit the official LIMC website and fill out the preliminary round application form on the of the page, submitting a video recording link of their musical performance. This contest accepts links to major global video websites like YouTube, Vimeo, or others. Contestants must fully comply with the repertoire and video guidelines. If there is a situation that does not meet the rules, the participants will automatically lose their qualifications for the final round.

Final Round (invitation and application)

Only contestants selected in the preliminary round are entitled to advance to the final round. Contestants who are able to advance will use the same work submitted during the preliminary round as content for the final round. Selected finalists will receive an email invitation with instructions on how to apply for the final round. Email invitations will be sent on the finalist announcement date. Contestants should check the spam box in their mailbox. Finals applicants must use the link in the email to complete the final application steps by the application deadline for the final round. They should pay the final application fee via a secure payment link emailed by the organisers.

Final application fee details:

  • Application fee: £59 (about $73).
  • Chamber group finals application fee: £110.

Note: The final application fee is a one-time non-refundable voluntary payment. Guardians of minors must sign a separate notice to allow LIMC to post awards and personal images, video materials, and biographies on major social media platforms.

Eligibility/time limits

The competition is open internationally to musicians of all ages. Applicants will be grouped into 12 categories based on age. Each category will have a different time limit. Applicants must compete in their age category (not competing up or down) and may be required to show proof of age if requested by the competition committee.

  • Kids Prodigy (born in 2014 and younger) – 10 minutes maximum
  • Kids Artist I (born in 2013/2012) – 10 minutes maximum
  • Kids Artist II (born in 2011/2010) – 10 minutes maximum
  • Junior I (born in 2009/2008) – 15 minutes maximum
  • Junior II (born in 2007/2006) – 15 minutes maximum
  • Youth I (born in 2005/2004) – 20 minutes maximum
  • Youth II (born in 2003/2002) – 20 minutes maximum
  • Virtuoso I (born in 2001/2000) – 20 minutes maximum
  • Virtuoso II (born in 1999/1998) – 20 minutes maximum
  • Master I (born in 1997/1996) – 25 minutes maximum
  • Master II (born in 1995/1994) – 25 minutes maximum
  • Professional (born in 1993 and older) – 25 minutes maximum

Repertoire and video guidelines

  • The selection of the repertoire is open to the applicant and all the judgments are made through the presentation of video links.
  • The applicant combination may submit any published piece or combination of pieces as long as the combined total time is within the maximum time limits listed above.
  • The applicant may make cuts to a part or move a part to meet deadlines if desired.
  • The contest will accept videotapes with piano, orchestra, chamber ensemble, wind band, percussion, or any other accompaniment required by the composer in the published work.
  • COVID-19 Exception. The contest will accept recordings with pre-recorded accompaniment for those applicants who are unable to record with a live accompanist due to social distancing.
  • The video must have been recorded a maximum of 18 months before the deadline.
  • Each piece must be performed in one take with no edits. Contestants who submit multiple pieces must do so together as one video file not to exceed the maximum time limits for the applicant’s age category. LIMC reserves the right to immediately disqualify any applicant whose tape shows evidence of editing within one take of a piece other than a cut to meet time limits.
  • Multiple cameras can be used for video recording but no sound effects should be added to any portion of the video entry (it is acceptable to have an introduction title with the musician’s name, the title of the piece, and composer).
  • The applicant does not have to submit sheet music at the time of application. However, if requested by the committee, the applicant must submit an original score or a copy of the score with the written permission of the publisher for use in the competition.
  • There is no live round: all awards will be made online via video submission. It is suggested that the applicant submit the highest quality video possible to give a fair representation of their performance.

Prizes

Winners will be announced on 20 July. See below the full list of prizes:

  • First prize – To be awarded to the competitor who earns at least 93/100 points.
  • Second prize – To be awarded to the competitor who earns at least 86/100 points.
  • Third prize – To be awarded to the competitor who earns at least 79/100 points.
  • Fourth prize – To be awarded to the competitor who earns at least 72/100 points.
  • Honorary Mention Recognition – To be awarded to the competitor who earns at least 65/100 points.
  • The overall winner will receive the London International Music Competition Grand Prize worth £1 001.
  • Certificates for the winners of the first, second, third, and fourth prizes.
  • A selection of winners will be invited to perform in LIMC’s online concert series.
  • Certificate of participation for participants with Special Mention.
  • Certificate of recognition for distinguished teacher upon request.
  • All applicants will receive a certificate of participation after the winners’ announcement by email.

View the original call here.

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