NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Call for entries: Female composers competition

18 Mar 2019 - 09:48

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The International Alliance for Women in Music (IAWM) is inviting participants to apply for its annual Search for New Music competition. This call is open to IAWM members who identify as women composers.

German composer and the chair of the Search for New Music competition Ingrid Stölzel.

IAWM is an international membership organisation of women and men dedicated to fostering and encouraging the activities of women in music, particularly in the areas of composing, performing and research.

“IAWM members engage in efforts to increase the programming of music by female composers, to combat discrimination against female musicians, including symphony orchestra members, and to include accounts of the contributions of women musicians in university music curricula and textbooks,” the IAWM official website reads.

Interested individuals who are non-members may join at the time of entry and apply in the following completion categories:

Ruth Anderson Commission Prize

Application for this competition should include a detailed proposal for a new sound installation with electroacoustic music. The project should be an ongoing installation and not require performance to be successful. The project must be completed within 12 months of notification of the award. The winner will receive a prize of $1 000.

Christine Clark/Theodore Front Prize

This competition is for large chamber works for more than nine instruments and orchestral works; may include works featuring soloist (vocal or instrumental). The winner will receive $500.

Miriam Gideon Prize

Applicants should be 50 years old and above. The submissions should be for solo voice with one to five instruments. The winner will be awarded $500.

Libby Larsen Prize

This competition is for anyone who is enrolled in a music school and works for any medium. The winning prize is $300.

Portland Jazz Composers Ensemble Prize

This competition is strictly for jazz compositions of any duration from small ensemble to big bands playing 4 to 17 instruments. The winner will get $300.

PatsyLu Prize

This competition is strictly for black women and/or lesbians. The submissions should be on classical art music in any form or instrumentation. The winning prize is $500.

Pauline Oliveros New Genre Prize

In this competition, the application should include works incorporating innovative form or style, such as improvisation, multimedia, use of non-traditional notation, open instrumentation, or new performance practices. If no score is used, a description of the work and its inspiration should accompany the audio or video submission. The winner will receive $300.

Alex Shapiro Prize

Applications for this competition should include works of any duration for a large ensemble wind band requiring a conductor, with or without a soloist, acoustic or electroacoustic, published or yet unpublished. The prize will be $500 inclusive of mentorship/consultation from Alex Shapiro.

Judith Lang Zaimont Prize

Interested individuals should be 30 years and above. The submissions should be an extended instrumental composition for great solo or chamber works by a composer whose music has not yet been commercially recorded or published. The winning prize is $400.

Submissions close on 30 April and the winners will be announced no later than August 30.

Requirements

This opportunity is available for any female composer from around the world who has not won the award in the past two years.

To stand a chance of winning, participants must:

  • Have a valid membership with IAWM.
  • Submit the score in PDF.
  • Submit a recording of a performance, reading or MP3 files of MIDI file.
  • Ensure that the work submitted is unpublished by a major publishing house and has not won an award before the time of entry in the competition. This is exclusive of the Alex Shapiro Prize.

Interested individuals can pay and apply for membership here before logging in and applying here.

Read the original call here.

For more information, email the chair of the Search for New Music competition, Ingrid Stölzel, at [email protected].

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