NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Call for entries: South African Music Awards 2018

02 Nov 2017 - 13:58

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The organisers of the South African Music Awards (SAMAs) are calling on artists to submit entries for the 24th edition of the event. Hosted by the Recording industry South Africa (RiSA), SAMAs seek to honour excellence South African artists who have released new material between 1 February 2017 and 31 January 2018.

Amanda Black was among the top 2017 SAMAs winners.

Founded in 1995, the award ceremony will be held in late April or May with the judging process starting about six months prior to the ceremony. The deadline for submission is 31 January 2018. Entries are submitted by record companies/individual artists, in accordance with the SAMA rules.

Chief executive officer of RiSA Nonhlanhla Sibisi said they “have seen a year on year increase over the past two years and we await with great anticipation to see the calibre of entries for SAMA 24.

“The SAMAs have proved its resilience and mettle as the most coveted music honour South African artists aspire to receive. This is a call to everyone who is a qualifying artist to submit their entries for our consideration and not wait until the last day.”

How to enter

Entry forms must be completed and submitted via the SAMA website and must include the following:

  • A prescribed number of copies of the entered album, single or DVD
  • Any other material required for the particular category
  • Entry fee of R715 (RiSA members) and R3 850 (for non-RiSA members)
  • All entry fees that have not been paid in full and/or have not been cleared by the bank on 3 February 2018 will result in the relevant entries being disqualified.
  • Proof of payment of the prescribed RiSA levies in respect of all the units manufactured up to the date of entry of the entered album or live DVD, if the entry was released by a member of RiSA.
  • Artists who prefer not to do online submissions can physically submit their entries at the RiSA/SAMA offices at Unit 2, 152 Bram Fischer Drive in Randburg, Johannesburg.

Eligibility

  • Entries are open to RiSA members and non-RiSA members alike and are in respect of any qualifying recording artist, director, producer or engineer.
  • Except for the Best African Artist category, the entrant should be a South African citizen or have been a permanent resident in South Africa for a minimum of six months on the date of entry and provided that the entrant is a South African entity.
  • All recordings, with the exception of the Record of The Year and Music Video of the Year categories must have been commercially released in South Africa between 1 February 2017 and 31 January 2018.
  • All songs submitted for the Record of the Year category will be adjudicated based on growing airplay over the period 1 March 2017 to 28 February 2018.
  • All music videos submitted for the Music Video of the Year category must have been aired by local South African television or any digital platforms between 1 February 2017 and 31 January 2018.
  • An artist should have commercially released his/her albums between 1 February 2017 and 31 January 2018.

NB: For more information on the rules and the categories thereof, please read here. The application may be sent to: [email protected] and [email protected].

All categories, with the exception of the Public Vote, Lifetime Achievement, International Achievement and Best Selling categories, are adjudicated by a panel of judges.

Here is a full list of the categories:

  • Best Duo/Group of the Year
  • Best Newcomer of the Year
  • Best Male Artist of the Year
  • Best Female Artist of the Year
  • Best Rock Album
  • Best Pop Album
  • Best Pop Album
  • Best Adult Contemporary
  • Beste Kontemporere Musiek
  • Best African Adult Album
  • Best Alternative Music Album
  • Best R&B/Soul/Raggae Album
  • Best Rap Album
  • Best Kwaito Album
  • Best Dance Album
  • Best Traditional Faith Music Album
  • Best Contemporary Faith Music
  • Best Maskandi Album
  • Best Jazz Album
  • Best Classic Instrumental Album
  • Best Live Audio Visual Recording
  • Best Collaboration
  • Best Music Video of The Year
  • Best Produced Album
  • Best Engineered Album
  • Best Remix of the Year
  • Best Afropop Album
  • African Indigenous Gospel
  • Best African Artist

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