NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Call for nominations: 2019 Mzansi Kwaito and House Music Awards

06 May 2019 - 14:09

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The Mzansi Kwaito and House Music Awards (MKHMAs) are calling on South African artists to submit music for consideration ahead of the nominations ceremony in Johannesburg on 30 August.

Prince Kaybee was crowned Best House DJ at the 2018 MKHMAs. Photo: Twitter

Voting will take place from 30 August to 3 November and the awards ceremony will be held at Carnival City in Johannesburg on 30 November.

"I am excited as this year we have a second runner-up prize but only for the upcoming kwaito and house artists," MKHMA founder and CEO Perfecta Khumalo said. "We have so many surprises hence we say, #ZizowaMore. I encourage all artists to send through their entry forms. Please read the rules and regulations before you fill in an entry form.

Rules and regulations

  • Entries are open to all South African kwaito/gqom and house artists and pantsula dancers.
  • Entries are open in respect of any qualifying recording artist, or pantsula dancers, being a person who: is a South African citizen or has been a permanent resident in South Africa for a minimum of six months on the date of entry; and provided the entrant is a South African entity and owns at least 50% of the master recording contained in the entry in question where any other part of the master is owned by a non-South African entity; the same applies to artists comprising singles or groups, provided that not less than 50% of its members comply with the criteria set out above.
  • The steering committee reserves the right to request proof that all artists, producers, and pantsula dancers qualify as set out herein.
  • All recordings submitted for the MKHMAs must have been commercially released (in other words first made available for sale by any recognised retail trade) in South Africa, but only commercially released during the entry period will qualify for entry on condition that written proof of release details for the entry period is submitted together with the fully completed entry.
  • The steering committee is entitled to request further or sufficient proof at its discretion; unless otherwise stated, awards are presented for album releases. An album is defined as a commercially available compact disc containing: a minimum of seven different and previously unreleased sound recordings by the artist or group in question (in other words, no rereleased albums or ‘best of’); and not less than 30 minutes of previously unreleased recorded performance.
  • The following categories are excluded from this requirement: Lifetime Achievement Award.
  • All recordings (singles and albums) and all music videos submitted for the fourth MKHMAs must have been commercially released (in other words first made available for purchase or shown by a TV broadcaster or published on a digital platform) in South Africa during the period 1 January 2018 to 30 April 2019 (“the entry period”). This exclude the category of Best Kwaito Song of 2001–05 artists who do not have albums as per the definition above may only enter in the Best Single category.
  • All categories will be determined by public votes, the and the winners will be determined by public votes scores.
  • Multi-artist compilations of previously released recordings may not be submitted in the genre category that is most reflective of the majority of the recordings on the compilation.
  • Entrants may only submit one entry form per category unless a category rule states otherwise.
  • Artists may enter into any music genre for as long as the song complies with that music genre as qualified by the steering committee and complies with all rules and regulations.

Read here for more information on the MKHMA rules and regulations.

Artists should submit their music in the following 19 categories:

  • Best Kwaito Artist
  • Best New Kwaito Artist
  • Best Kwaito Single
  • Best Kwaito Radio Personality
  • Best House Artist
  • Best New House Artist
  • Best House Single
  • Best House Radio Personality
  • Most Voted Song
  • Best Collaboration
  • Radio Station That Plays Kwaito
  • Best Music Video
  • Best Producer
  • Best New Age Kwaito Song
  • Best Kwaito Song (2001-2005)
  • Best Kwaito/Gqom Group or Duo
  • Best Mapantsula Dance Group
  • Best Gqom Artist
  • Best DJ

Interested artists should submit an entry form (attached below) with online links to their music to the following emails: It should be [email protected] and [email protected].

Submissions can be alternatively sent by post, accompanied with music CDs, to Perfecta Khumalo to one of the following postal addresses:

Newtown City Lodge
Corner of Carr and Miriam Makeba streets
Newtown
Johannesburg
2113

Soweto Hotel
Corner of Union Avenue and Main Road
Walter Sisulu Square of Dedication
Kliptown
Soweto
1812

Carnival City Hotel
Corner of Century and Elsburg roads,
Carnival City
Brakpan
1540

The submission deadline is 31 July.

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