NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

opportunities

Call for projects: Orange Foundation funding for African festivals and artists

02 Feb 2023 - 10:04

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The Orange Foundation is inviting festival organisers and music groups in Africa to submit their projects for funding.

The application deadline is 20 February. Photo: Orange Foundation

The call is open to 16 African countries in which the Orange Foundation is present. They are Botswana, Burkina Faso, Cameroon, Ivory Coast, Egypt, Guinea, Guinea Bissau, Liberia, Madagascar, Mali, Morocco, Central African Republic, Democratic Republic of Congo, Senegal, Sierra Leone and Tunisia.

Objectives:

  • Support the creation and dissemination of African music.
  • Open up the emerging musical scene.
  • Develop mediation and sensitisation actions to support access for all audiences.

The call for projects is open to:

  • Music festivals.
  • French Institutes, French Alliances and Cultural Centres.
  • Labels and production companies.

Note: No individual support to private persons (artist, producer, etc.)

Selection procedure

Pre-selection will be done by Orange Country Foundations teams before the final selection by the Orange Foundation with the help of a committee of musical experts.

Selection criteria

Festivals

  • Eligible for a festival that has existed for at least two years.
  • The festival must take place between April 2023 and March 2024.
  • Minimum of five concerts programmed.

Artistic

  • Repertoires: world music, jazz, hip hop, rap and song.
  • Artistic orientation enhancing the musical heritage of the countries and open to contemporary creation (meeting and/or fusion of traditional and contemporary music).
  • Programming of young talented musicians and singers from Africa who are professionals or in the process of becoming professionals.

Public

  • Reaching a large audience (minimum 1 000 people).
  • Proposing solidarity and/or educational actions for the public.
  • Accessibility of isolated and/or fragile public (free concerts, access of people with disabilities).

Budget (in euro)

  • Realistic and balanced budget (proposed model).
  • Maximum support from the Orange Foundation corresponding to 25% of the overall budget up to a limit of €10 000 (about $11 000).

Visibility and promotion

  • Capacity to promote the festival: website and social networks, media partners.
  • Assurance of visibility for the Orange Foundation and other partners.

Musical groups

Artistic

  • Musicians from one of the 16 African countries mentioned above.
  • Emerging scene: Professional artists or artists in the process of becoming professional, with promising career development prospects.
  • Solo artist (voice, instrument) or musical group with voice.
  • Repertoires: African music, world music, contemporary music, jazz, chanson, hip hop.

Type of project supported:

  • Concert tour 2023 in African countries (attach a calendar with dates and venues).
  • Record album (specify label, distribution, print run, titles recorded, recording and release dates).
  • Professional training: specify type of training, objectives and expected results.

Application form (for festivals and musical groups)

After filling in the online questionnaire, the partner must submit the following documents:

  • Statutes of the organisation submitting the application.
  • Presentation of the festival or the musical group (date of creation, biographies of the artists).
  • Artistic programme 2023 (presentation of the artists and musical groups, number of members, musical style, song or album title).
  • Concert calendar with dates/places/times/artists (specify for each concert if confirmed or planned).
  • Detailed budget forecast for 2023 (model proposed for festivals).
  • Balance sheet of the previous year or edition (proposed model).

Other documents to be attached (optional)

  • Musical sound extracts or videos of the artists.
  • Press review.

Applicants should submit here before 20 February.

View the original call here.

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