NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

opportunities

Call for scores: Albireo New Music Collective in the US

03 Aug 2021 - 10:49

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The Albireo New Music Collective is calling on composers around the world to submit scores.

The submission deadline is 1 September. Photo: Albireo New Music Collective

Application process

Interested composers should submit their scores via email to [email protected] with the following material:

  • CV/resume (attached as a PDF).
  • Two to three sample works, including at least one chamber work. The scores should be attached as PDF including links to audio or video recordings in the body of the email (YouTube, Vimeo, Dropbox, Google Drive, etc). MIDI is acceptable.
  • Project narrative (attached as a PDF), not to exceed 1000 words.
  • Headshot (attached as an image file) – for publicity, including the winners’ announcement.
  • Professional biography, not to exceed 250 words (attached as a PDF) – for publicity, including the winners’ announcement.

Possible topics to discuss can include, but are not limited to:

  • Work title(s).
  • Basic premise of the piece.
  • How you plan to use each instrument in terms of colour, range, combinations of instruments and auxiliaries.
  • Programmatic influences.
  • Incorporation of electronics/technology (if applicable).

Piece parameters

Length: five to seven minutes (can be a single movement or multiple movements, but the total length including time between movements must fall within this window).

Instrumentation (must write for the full sextet):

  • Flute/piccolo.
  • Bb clarinet.
  • Soprano/alto saxophone.
  • Horn in F.
  • Trumpet (Bb, C or flugelhorn).
  • Euphonium.
  • Optional: fixed media electronics.

The piece must be able to be performed both virtually and live.

Prizes

The top three entries will receive:

  • A virtual video recording of the winner’s piece in mid-December, posted on the Albireo New Music Collective YouTube channel.
  • Tentative: a live performance of the winner’s piece at a conference in 2022 or 2023.

Important dates

The submission deadline is 1 September and the winners will be announced mid-September on Facebook and Instagram with further instructions. The scores will be due to the collective on 1 November.

Additional rules

  • Only one entry is allowed per person.
  • There is no application fee.
  • All composers, regardless of age, level of education, national origin, race, gender identity, sexual orientation, religion or disability are welcome to apply.
  • Late/incomplete proposals will not be accepted.
  • Failure to meet the 1 November deadline will result in a major delay in the release of the participant’s recording. Extreme lateness may result in forfeiture of all prizes.
  • By submitting an application, participants agree to allow the Albireo New Music Collective to use the publicity materials on social media to promote recordings and performances of the piece.
  • By submitting an application, participants agree to follow all rules and deadlines, as well as be available for communication via email.
  • Applications from participants under the age of 18 will be considered incomplete if there is no email from a parent/legal guardian agreeing to all the rules, including the use of publicity materials.

View the original call here.

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