NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

opportunities

Call for scores: Ensemble Modern compositions

08 Sep 2022 - 05:38

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Non-profit organisation NewMusicSA and the International Society for Contemporary Music (ISCM), in partnership with German platform for adventurous music Zentrum für Aktuelle Musik (ZAM), are inviting project proposals for a concert of innovative transcultural music with Germany’s Ensemble Modern (EM).

Ensemble Modern. Photo: Facebook

The selected composers will each receive a commission to compose a work to be premiered by Ensemble Modern on 31 May 2023 in Cologne, Germany, with another performance planned for South Africa in November or December 2023.

Criteria

The composers/works should relate to Africa and/or African music traditions in some way.

To be eligible for selection, composers must fulfil at least one of the following criteria:

  • Be a citizen or resident of a country in Africa south of the Sahara (i.e. all African countries and adjacent island nations are eligible, except Egypt, Libya, Tunisia, Algeria and Morocco).
  • Propose a work that has a concrete and tangible connection to African music traditions, and/or responds in some noticeable way to African music theories or practices.
  • Project proposals should explain how one or both of these criteria is/are being fulfilled.

Note: There are no other prerequisites or limitations for eligibility. There is no submission fee.

Instrumentation and notation

  • Ensemble Modern: 1 flute, 1 oboe, 1 clarinet, 1 bassoon, 1 horn, 1 trumpet, 1 trombone, 2 pianos/keyboards, 2 percussion, 2 violins, 1 viola, 2 cellos, 1 contrabass, 1 sound designer/engineer.
  • Proposals not utilising the full ensemble are expressly encouraged.
  • Notations can be unconventional, but pieces must be realisable within the constraints of the modest rehearsal time (about 3 to 4 days for the complete programme).
  • Live electronics and/or African musical instruments, played by the composer or others, can be included, in that case the proposal must explain how these additional forces will be financed and performed.

Timeline

  • The deadline for proposal is 23 September 2022 (23.59pm CAT).
  • Selected composers will be informed on 3 October.
  • Composers’ confirmation of participation and commissioning contract by 10 October.
  • Works due (full scores and parts as PDF files): 31 March 2023.
  • Rehearsals: Late May 2023 in Frankfurt and/or Cologne, Germany.
  • Premiere: 31 May 2023 in Cologne.
  • Planned repeat performance in late November or early December 2023 in South Africa.

Proposal details

Project proposals can be submitted in English, German, French or Portuguese and must include:

  • Scores, recordings (need not be professional quality, MIDI mockups acceptable) and programme notes of two existing works by the composer with some relevance to the proposed project (in concept, instrumentation, etc.).
  • Composer biography (maximum 500 words).
  • Description of the proposed composition project including conceptual/aesthetic and practical considerations (about one page). This can be supplemented by lists, diagrams or score fragments, if desired.

Interested composers should submit their proposals via email to [email protected] before 23 September.

Recordings should be posted online (on SoundCloud, Vimeo or any other location for which a link can be provided) and inks to the recordings must be included in the proposal submission.

Recordings should not be password-protected and must remain accessible online until at least 31 December 2022.

Selection process

The selection will be made by a panel consisting of at least one representative from Oluzayo Festival and Ensemble Modern, and one or two outside experts. The panel’s decisions are final and cannot be contested.

Concerts and context

The concert will open the Oluzayo African Music Futures Festival – a unique festival in the orbit of the European Conference on African Studies, hosted by the University of Cologne. The event will be curated by Thomas Glässer, Joseph Kamaru, Lukas Ligeti, Nonku Phiri, and Ignacio Priego.

“We are seeking proposals for works for chamber ensemble of up to 18 musicians (smaller ensembles are encouraged) with a duration of roughly 10 to 20 minutes (exceptions possible),” NewMusicSA said.

View the original call here.

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