NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

opportunities

Call for scores: International Composers Competition in Malaysia

18 Feb 2022 - 09:45

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The Borneo Ensemble in Malaysia is inviting composers and age groups from around the globe to submit scores for its inaugural International Composers Competition.

The submission deadline is 14 March. Photo: Berklee College of Music

The event is in collaboration with Tanjung Aru Marine Ecosystem Centre. It aims to offer opportunities for student composers to showcase their works and promote awareness of the beauty and importance of the existence of ocean life on earth.

Eligibility and guidelines

  • Up to six finalists will be selected to participate in the competition and only three composers will be awarded.
  • All finalists will receive recordings of their works and e-certificates for participation.
  • One participant (not from the finalist) will be selected as an honourable mention, an e-certificate will be rewarded.
  • Applicants must be enrolled as a student in college or university at the time of the event.
  • The competition is open to composers of any age and nationality.
  • Each composer can only submit one work.
  • The score must be original, not yet performed or published, and newly composed for this event.
  • Selected finalists must grant permission to Borneo Ensemble for future publication (digital and in print) of their selected works, including recordings of the performances and scores.
  • The competition will be divided into two stages. The preliminary round will be based on the submitted scores and up to six finalists will be selected. A final live performance featuring the world premiere of all the selected works will be held in May as the second stage, where the winning compositions for the three prizes will be decided and announced.
  • In the light of the seriousness and authoritativeness of the competition, certain awards will be left vacant if no composition meets the criteria.

Submission guidelines

  • The score must show a connection to one of the selected five paintings (please refer to Appendix A).
  • The score must be written for the designated trio (violin, piano, and kalimba) without electronics. Please refer to Appendix B.
  • Submission of the score must be anonymous (composers must create a unique symbol for recognition purposes).
  • The duration of the score must be between three to seven minutes.
  • Submitted scores (full + parts) must be legible, professionally prepared full score and part scores (PDF format only); scanned copies of handwritten works are acceptable but they must be perfectly legible.
  • Programme notes must be written in English, including a description of the connection between the composition and selected painting - minimum 300 words.
  • Participant CV, including education background, and contact information (name and email address).
  • A short biography in English – maximum 200 words.
  • A scanned copy of your student ID (PDF Format).
  • A high-resolution colour portrait photo (at least 2MB in size, but not more than 10MB).
  • All documents including scores and part scores must be submitted in PDF format, except for the colour portrait photo which must be submitted in JPEG.
  • Applicants should submit the above materials here before 14 March.

Timeline

  • Submission deadline: 14 March.
  • Announcement on selected finalists: 4 to 6 April.
  • Workshop: 1 May.
  • Recording session for all finalists: 20 May.
  • Concert with the world premieres of three award winners: 21 May.

Prizes

  • First prize: MYR500 (about $119), recording, e-certificate, score publication and world premiere performance at the concert.
  • Second prize: MYR300, recording, e-certificate, score publication and world premiere performance at the concert.
  • Third prize: MYR200, recording, e-certificate, score publication and world premiere performance at the concert.
  • Three finalists: recording, e-certificate and score publication.
  • One honourable mention: e-certificate.

“Award winners are not required to attend the concert in person, although we hope they will,” Borneo Ensemble said. “Workshop will be conducted online. Borneo Ensemble cannot provide any financial assistance for travel expenses.”

View the original call here.

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