NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Call for scores: International composition competition in South Korea

27 Jun 2022 - 09:33

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Composers around the world are invited to submit scores for the second edition of K'ARTS International Composition Competition.

The submission deadline is 30 June.

The competition aims to discover a variety of creative works that combine Eastern and Western instruments based on traditional Korean music, pioneering the way for traditional Korean music to enter the world stage. It is designed to promote international exchange and build a global network.

Eligibility

  • The competition is open to contestants of all nationalities and countries.
  • 2021 winners are not eligible to apply.

How to submit

  • New works that have never been previously premiered.
  • Works of any style, aesthetic form and notation will be considered.
  • The submitted work should be about eight minutes in duration (less than nine minutes).
  • The instrumentation of works must be a chamber music for one to three players. It must include at least one traditional Korean instrument. You can select one of each of following instruments:
    • Korean instruments: Daegeum, piri, haegeum, gayageum (12, 18, or 25 stringed), geomungo, ajaeng (so-ajaeng or dae-ajaeng), saenghwang, percussion (e.g. jangu, jing, kkwaenggwari and sori-buk. One player can play only up to five instruments).
    • Western instruments: Flute, B♭ clarinet, oboe, bassoon, violin, viola, cello, piano, percussion (one player can play only up to five instruments). Special instruments (such as alto flute and E♭ clarinet, etc. and keyboard percussion (such as marimba, vibraphone, glockenspiel, etc.) cannot be used.

Required documents and registration

  • Applicants should download an application form here and send it to [email protected] before 30 June.
  • An anonymous score as a PDF document (computer-written document) including a separate cover page with the title of composition and the name of the composer.
  • MIDI mockup (file name: composer’s name).

Rules and regulations

  • Previously performed, published or awarded are not eligible for submission.
  • Only one entry per composer.
  • Submitted scores must be anonymous. Applicants must put the composer’s name on the separate cover page.
  • The selection will be cancelled if the contents are found to be false even after the announcement of the result.
  • Submitted scores and materials will not be returned.
  • Applicants must apply in accordance with the designated form and submission guidelines (if the application does not meet the guidelines presented or if the quantity of data is insufficient, it will not be eligible for screening).

Evaluation procedure

  • Review period: July 2022.
  • The jury shall be comprised of the professors at the Korea National University of Arts and other professionals.
  • The jury will review scores and performances.
  • Winners will be contacted and posted on the website.
  • No comments or feedbacks shall be provided on the compositions.
  • The jury is at liberty to alter the number of selected compositions.

Awards

  • The selected works will be performed at the K’ARTS International Music Festival. (*This benefit is subject to change depending on COVID-19 situation).
  • First prize: 4 million Korean won (about $3 100).
  • Second prize: 3 million Korean won.
  • Third prize: 2 million Korean won.
  • Fourth and fifth prize: 1 million Korean won.

Performance of works

  • The winning works will be performed by a group designated by the host of the competition at the K’ARTS International Music Festival (this benefit is subject to change depending on COVID-19 situation).
  • The host of the competition has the right to use the winning works for three years from the performance schedule. During this period, the host can use the winning works for free at the K’ARTS International Music Festival Award Concert, promotional materials and other concerts organised by the host.
  • The awards ceremony will be held at the Korea National University of Arts in August.

“We look forward to active participation of many composers who are interested in traditional Korean music,” the organisers said.

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