NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

opportunities

Call for submissions: Electroacoustic and sound art works

29 Aug 2019 - 10:39

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UK independent music company RMN Classical is calling on upcoming music composers to submit their compositions in order to stand a chance to see their works published in a contemporary music album.

The call is open to all composers around the world. In the photo: South African composer Bongani Ndodana-Breen.

This opportunity is open to composers of any age and nationality who create live and studio electroacoustic and sound art works. RMN Classical aims to discover contemporary composers who create original works using electronics in innovative ways.

Prize

The winners will be featured in an album release produced by RMN Classical released worldwide through RMN Music. The high-quality release will be distributed on streaming platforms such as Spotify, Apple Music, Google Play Music, Amazon Music, Deezer and Pandora. The composers will retain the copyright of their work and will get a share of the sales of the album.

In addition, RMN Classical will include high-quality design of the cover artwork, licensing and copyright clearance. Additionally, there will be opportunities for synchronisation and licensing (TV and media), and optionally, depending on demand, physical distribution and manufacturing of the album will also be considered. The release and all the winning works will also be added to the Sound and Music Archive of the prestigious British Library ion London, UK.

Application process

Interested composers should submit their compositions online here and each applicant can submit more than one work.

The application should include:

  • Recording in MP3.
  • Score in PDF (if available).
  • Notes about the composition in PDF/doc.
  • Composer’s biography in PDF/doc.
  • A small photo of the composer.

The submission deadline is 24 November. An application fee will be divided into a discounted early bird fee (ending on 13 October) and regular fee (ending on 24 November).

Maximum duration: Open

There is no maximum duration. RMN Classical strongly suggest and recommend composers to submit short- and medium-length works.

Accepted genre

Contemporary music no matter the genre or style (no jazz or pop). The work can have jazz, pop, rock, world or other influences but should mainly be contemporary or experimental in the field of electronic music.

Age and nationality

There are no formal restrictions and anyone regardless of age and country of residency can participate. The minimum legal age of 18 year is required and underage composers should get in touch before applying.

Limits

There is no limit to the number of recordings that composers can submit. RMN Music will select one work per composer. In some circumstances, RMN Classical reserves the right to select more than one work, depending on quality of works and talent(s). If more than one work is submitted, the application fee should be paid accordingly or participant will be disqualified.

About RMN Classical

RMN Classical is on a mission to promote and nurture the contemporary and sound-art music scene developing and producing original ideas and voices through a range of projects and releases curating a growing catalogue of works and artists.

View the original call here.

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