NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

opportunities

Call for submissions: Prix Ars Electronica 2023

18 Jan 2023 - 15:59

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Composers around the world are invited to submit scores for the Prix Ars Electronica competition in Austria.

The submission deadline is 3 March. Photo: Prix Ars Electronica

The Prix Ars Electronica is the world’s most time-honoured media arts competition. Winners are eligible for the coveted Golden Nica awards and monetary prizes of up to €10 000 (about $10 800) in each category. They will also be featured at the Ars Electronica Festival from 6 to 10 September in Linz.

Participation in the Prix Ars Electronica is free of charge and takes place exclusively online. A submission is only valid for participation in the competition if it has been submitted online and finally completed online. As soon as all documents have been submitted in full, a confirmation of participation will be sent by email.

The categories are as follows:

When submitting to the Prix Ars Electronica, applicants also have the choice of submitting to additional open calls that run in parallel free of charge. If participants submit their project in the Digital Musics & Sound Art category, their project will also be considered for the Isao Tomita Special Prize. Before they complete the submission, they can additionally submit their project to the European Commission’s S+T+ARTS Prize 2023. In addition, the European Union Prize for Citizen Science will be launched for the first time this year, and they’ll also be able to participate in it as part of their submission to the Prix Ars Electronica.

Digital Musics & Sound Art

Contemporary digital music and sound productions from the broad spectrum of ‘electronica’ come in for consideration in the Digital Musics & Sound Art category, as do works combining sound and media, computer compositions ranging from electroacoustic to experimental music, as well as sound installations.

Who can submit an entry?

  • The work entered must have been created, realised or significantly updated within the last two years.
  • Participants may be individuals, groups, institutions, companies, etc.
  • Exclusively commercially oriented activities in the sense of product advertisement are excluded.

Checklist

The following material is needed for the submission:

  • Audio file via upload (wav, mp3, aif, mov, ogg …).
  • Video documentation (three to 10 minutes), in case sound installations, real-time performances, audio/visual environments, etc.
  • Two to three minutes excerpt (that effectively gives an introductory summation of the essential elements explored in the whole piece. This edited extract can serve as a compressed remix of different musical areas of the longer composition, or the participant can simply choose a continuous representative slice. This helps the Jury to deal with large quantities of submissions in a focused judicial manner).
  • Images describing the project (JPG, TIF, BMP, PNG at maximum quality. Compressed file – like .zip .lzh file – is not acceptable).
  • Detailed description of the work (concept and content. Award-winning works may be performed in conjunction with the Festival Ars Electronica. Entrants are therefore requested to provide precise information about the technical set-up of all required equipment as well as suggestions regarding any technicians, musicians or soloists necessary to implement the production plans submitted).
  • A portrait photo and biography of the artist(s).
  • Optional: additional material (images/drawings/score (PDF)/documents (PDF).

Participants should submit here before 3 March.

View the original call here.

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