NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Camidoh on uniting cultures and spreading positivity with his sound

15 Jun 2023 - 14:51

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Camidoh, the fast-rising Ghanaian singer behind the 2022 anthem ‘Sugarcane’ is experiencing the immense joy of witnessing the global impact of his work.

Camidoh.

Following the recent release of his mixtape, L.I.T.A, the BET Award nominee speaks to Music In Africa about the sonic vision of the project, which finds him reflecting on his artistic journey and identity as a Ghanaian artist propagating a message of unity and positivity.

The artist, now firmly part of an exciting crop of new-age West African pop stars, also touches on Ghanaian music’s profound influence on the diaspora, particularly in the US and UK, as well as balancing his success with charity efforts.

MUSIC IN AFRICA: Let’s start with the resounding success of ‘Sugarcane’. How does it feel to have your music amass over 200 million streams and inspire over 100 million TikTok creations?

CAMIDOH: It feels like a blessing. First, I feel blessed to be alive. Second, to have had the inspiration to make a beautiful record like ‘Sugarcane’ that inspires over a million people in the world is a blessing.

You’ve had the opportunity to tour the world, performing in major cities like London, Amsterdam, Dubai, New York and Paris. How has this international exposure impacted your career and artistic growth?

Performing on international stages has given me a different view of what performances are like on a global level, especially considering my goal of becoming a global icon in the coming years. It offers me the experience I need to chase my dreams.

You’ve regularly cited Senegalese-American star Akon as a key technical model for your craft. What is it about him, and are there other artists or genres that have influenced your musical style and sound?

Akon is the reason I started making music. So, everywhere I go, I mention his name just so the world knows what an inspiration he has been to me. Generally, when I put out new music, it is to inspire the world. I never want to put out stuff to ruin people’s lives or whatever it is negatively. It’s always on a positive note to inspire people and keep them going.

L.I.T.A marks a significant milestone in your career. How do you feel about this release, and what do you hope it accomplishes in terms of personal growth and professional recognition?

As an individual, I’ve just been blessed with very loving people throughout my upbringing. Everything that happened in my life that has shaped my life kinda happened through the process of love and kindness. That’s basically where the inspiration for the title came from. Generally, Ghana is a very peaceful place, so the dots just connect.

L.I.T.A features collaborations with notable artists from Ghana and beyond, including M.anifest, Stonebwoy, King Promise, Mayorkun and more. How did these collaborations come about, and what was the experience like working with such diverse talents?

Every single collaboration on the tape is very organic. Those are my friends, colleagues I believe I’m on good terms with. Everyone brought a beautiful spirit to the record.

Ghanaian music has had a profound impact on the diaspora, particularly in the US and UK. How do you perceive the influence and reception of Ghanaian music in these regions, and how does it inspire your own musical pursuits?

I think Ghanaian music is beautiful. It has always impacted the world. So, this is just a different generation reiterating that impact. For me, I feel blessed to be part of this generation doing the beautiful things we are doing with our sound.

Beyond your music, you’ve also launched the charity initiative Save The Kids With Camidoh in Accra, which aims to support single mothers who struggle with hospital bills. Can you tell us more about this initiative and what inspired you to start it?

Save the Kids with Camidoh is an initiative we started when a fan asked me how I’m going to use my fame to impact and reinvest in society. I decided to look the way of mothers who were stuck in the hospital because they were unable to pay hospital bills after giving birth. I was raised by a single mother so this effort is near and dear to my heart.

As someone who has experienced challenges in upbringing, how important is it for you to use your platform to raise awareness and support for Ghanaian mothers and those in need?

I think it is important to raise that awareness regardless of who you are. Mothers are the people that carried us. They carry the future. So it’s always important, not only for Ghanaian mothers but mothers globally. We need to raise awareness to give them a better life like lifting them out of their struggles. I think it’s extremely important to take care of our mothers.

How do you balance your role as a successful musician with your philanthropic efforts?

First, a correction, I’m not a successful musician. It’s just love. We don’t need all of these titles. We just need to show love  –  use our strengths to show love. You know what I mean? Kindness is the way forward, if you have enough, just share some extra with some people. That’s what the mentality should be about. I don’t think I’m a stressful musician, I’m just blessed for sharing my talent with the world and stretching forth to save the same people who I think are less privileged shouldn’t even be a bother or a problem for me to think about anytime, anywhere.

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