NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Cassper Nyovest makes history to Fill Up The Dome

02 Nov 2015 - 10:30

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South African rapper Cassper Nyovest has become the first local artist to sell out the Ticketpro Dome in Johannesburg, South Africa. Some 20 000 tickets were sold even before the event on Saturday 31 October, suitably billed ‘Fill Up The Dome’.

Cassper Nyovest at the TicketPro Dome in Johannesburg on 31 October. Photo: Frennie Shivambu / Gallo Images / www.enca.com

With artists around the world finding it increasingly difficult to make a living from album sales alone, Nyovest is proof that live performances remain a valuable income stream for musicians. The success of his ambitious project was thanks largely to a groundswell of support for the rapper, both from the general public as well as other musicians (such as Black Coffee, Black Motion, L-Tido, Riky Rick and Khuli Chana), celebs and even politicians.

After the sold-out gig, the rapper took to his social media on Sunday morning to celebrate. “So much history was made last night! So much peace was in the building! It's bigger than me!” he wrote on his Twitter page, adding: “Shout out to every single musician that worked on ‪#‎FillUpTheDome, backstage and otherwise. Thank you ma niggas. We made history! Shout out to everybody who bought tickets. Thank you.”

Shortly before the concert, he announced on his Facebook to prevent comparisons with overseas acts: “I'm not SA's Kanye West or Micheal Jackson. I am Africa's Cassper Nyovest! I wrote my name in the history books! Nyovest - the best!”

The event also drew a flood of social media messages of support, thanks and praise for the musician, who is still aged only 24. The success of his #FillUpTheDome campaign now seems to have spurred the rapper to greater heights: he apparently has his sights set on filling Orlando Stadium in Soweto next year, which can take crowds of up to 40 000!

The sold-out Dome gig is the latest step in the rapper’s rapid rise to African hip-hop royalty. A few days earlier, on 22 October, Nyovest signed what was reported as a record ‘six-figure’ endorsement deal with telecommunications giant MTN. Though missing out at this year’s SA Music Awards, he nabbed the Best Hip-Hop award at the MTV Africa Music Awards in Durban in July. In the process he’s found a local fanbase across Africa, including visiting schoolkids in Malawi in March and voicing his views on Nigerian hip-hop. He’s also making inroads overseas, a few months ago featuring on the title track of American rapper Talib Kweli’s new album.

At the beginning on October he released a video for ‘Mama I Made It’, celebrating his journey from humble roots in Mahikeng. The day before the Dome concert, he dropped this video for the new single ‘No Worries’.

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