NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Céline Banza

Celine Benza gives an emotion-filled performance in Kenya

06 Mar 2020 - 17:35

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At Celine Banza's Thursday night tour kickoff concert at the Alliance Francaise in Nairobi, Kenya, the Democratic Republic of Congo singer meshed creativity with fun-infused confidence.

Celine Banza on stage in Kenya. Photo:Alliance Francaise

Through her near two and a half hour setlist, Banza hit high notes that were goosebump-inducing and left the audience staring in amazement.

Banza is on the road, touring the continent. She was the 2019 winner of the RFI Discoveries Prize. As the winner, one of the benefits was the organisation of a concert in Paris, France and an African tour organised by the French Institute. In East Africa, she performed in Nairobi on 5 March and Kampala, Uganda on 7 March.

With a voice so clear and pure and lyrics that bore messages of love, pain, joy, and mystery, Banza commanded the stage with passion and emotions during ‘Te Rembi’, an acoustic guitar ballad, which questions the perception of women's bodies, from both a male and female perspective. “My songs are the stories of my life,” she told Music In Africa.

Banza and her band have been performing together for two years and this is their first international tour. As a solo artist, Banza has previously performed at The Voice Francophone Africa in 2017 and participated in the exhibition Kinshasa 2050: women first! in 2018 before embarking on the recording of her album Te Rembi (My Body), which was released in 2020.

Onstage, Banza had the charisma to converse with the audience (in French) and also showed them some Congolese dance moves. Her solos demonstrated her layers of talent. She can sing, play the guitar and dance with ease at the same time. She also doubles as an actress and videographer.

While the concert felt brief from the reaction of the audience who asked for one more when she disappeared off the stage, her setlist allowed the other three members of her band to show their chemistry as a group as well as their talents. No member appeared more confident onstage than the solo guitarist who also played on the acoustic guitar. He played and danced with such fluid motion. He received one of the loudest cheers during the group’s ending moments.

As she bid the audience good-bye heading to Uganda there was no doubt that she left the audience feeling warm. There is no doubt that the 23-year-old will continue to grow into a fine musician. From the audience’s beaming faces as the band walked off the stage, it seemed that this was something everyone could agree upon.

Celine Banza's African tour dates:

10.03. Moroni, Comoros

13.03. Antananarivo, Madagascar

14.03. Maurice, Mauricious

19.03. Luanda, Angola

20. 03. Luanda, Angola

07.04. Brazaville, Congo

10.04. Lome, Togo

11.04. Cotonou, Benini

15.04. Abidjan, Ivory Coast

16.04. Abidjan Ivory Coast

18.04. Niamey, Niger

23.04. Ndjamena, Chad

23,04. Bamako, Mali

30.04. Bobo-Dioulasso, Burkina Faso

02.05. Ouagadougou, Burkina Faso

22.05. Maputo, Mozambique

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