NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

CISAC: SA’s Copyright Amendment Bill is out of step

27 Feb 2024 - 15:15

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By Gadi Oron

The International Confederation of Societies of Authors and Composers (CISAC) is the world’s leading network of authors’ societies, with a global community of members representing more than 5 million creators of all artistic repertoires worldwide.

CISAC director-general Gadi Oron.

Today CISAC comes out in support of many in South Africa’s creative community in asking the National Assembly not to adopt the country’s Copyright Amendment Bill in its forthcoming vote [on Thursday 29 February]. If adopted, the bill will harm South Africa’s creative community, devalue creators’ works and be out of step with international best practice.

The Copyright Amendment Bill is the first comprehensive effort to modernise South Africa’s copyright law in 50 years. This is an opportunity to bring the copyright system into the modern age and ensure creators’ rights are effectively protected well into the future. However, despite protests from the creative community over the last few years, the bill remains flawed. It will weaken copyright, which is the very foundation of creators’ economic sustenance. This will have serious economic consequences for those who make a living in the creative industries, and will endanger the next generation of creators.

As has been repeatedly highlighted by the creative sector, the bill falls short in several ways. First, it includes a long and open-ended list of exceptions to copyright. This excessive focus on exceptions, instead of the rights of creators, is not what the function of a new copyright law should be. It devalues works, opening up many new uses for which creators will no longer have the right to earn royalties.

Second, there is a concept of ‘fair use’ which apparently copies US legislation, but in fact goes far beyond that. This is a lose-lose situation for both creators and users that will lead to uncertainty in the market, for which the only fix would be expensive and wasteful litigation. Creators do not have deep pockets to afford that. Wasting time and resources for everyone in courts is not what good legislation should do.

The democratisation of information and education are important objectives, but they should not come at the expense of South Africa’s poets, composers, culture and creativity.

Last, creators in South Africa deserve to be protected to the same level as their international counterparts. This would not be the case if the new bill is adopted. On the contrary, with its broad exceptions and lack of precision, South Africa’s bill is out of step with international standards. This is why CISAC has repeatedly urged a change of course by the government.

The bill is a positive initiative that fails to serve the intended purpose – to protect creators and ensure that South Africa has a modern, fair and fit-for-purpose copyright environment. We ask that the National Assembly thinks again and does not adopt the current bill draft.

Gadi Oron is CISAC director-general. The views in this statement are the author’s and do not necessarily reflect those of Music In Africa.

The Copyright Coalition of South Africa is currently running a petition to stop the adoption of the bill. Visit the petition page here.

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