NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Reviews

Communication breaks down in KLY’s Patience

09 Apr 2018 - 14:51

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Communication is as important as water. People panic more when they’re without their cellphones for a day than without water for a week. Ask Capetonians and they’ll tell you the same. People often fear the rise of a technological singularity – the day when machines become smarter than humans – but cellphones already control everybody to the point that people can avoid contact with others, as KLY’s ‘Patience’ video suggests.

KLY taking a walk through Johannesburg CBD with his girlfriend and her cellphone in 'Patience'.

‘Patience’ is a downward spiral of four precious minutes that you’ll never get back. The video shows a young Sandton couple leaving their upscale apartment to take a walk in the Johannesburg CBD at night. That’s okay because couples regularly take strolls in crime-ridden areas where nyaope heads flash you with knives and guns for another hit.

The subject of the video, although unintended, is a young lady who spends the whole time on her cellphone, disinterested in her lover and the world around her. Whatever she’s feeling, her detachment to the real world is amplified by her attachment to the device. She’s an addict who’d rather experience life through a screen than tackle it head-on. That’s at least what the video evokes in the viewer. But the intention is different: KLY’s efforts to have her fall back in love with him are falling on deaf ears. So the director of the video wanted to show one thing but inadvertently probed a completely different problem rampant with today’s youth. And that problem is much bigger than a failed romance that happens to everyone numerous times in their lives. Don’t worry KLY, there are other fish in the sea.

The female lead only begins paying attention to her surroundings when they walk into a Bollywood film store. There are two possibilities here. One, Bollywood movies are the key to winning your lover’s attention. Two, her battery is dead. It’s also possible that her understanding of love is based on Bollywood love affairs – she’s infatuated with love in song and dances around water features. It’s like thinking you have a grasp of the complexities of war by playing first-person shooters in your living room.

The video has plenty of other completely unnecessary moments. Four minutes soon begin to feel like four hours, especially when KLY stops to greet his buddies on the street and watches a random street performance. Here ‘patience’ is not clicking through to the next YouTube video, whatever that might be.

What is meant to be the climax, where the couple is confronted by a man with a gun and a stereotypical hoodie, falls flat on its backside because the video doesn’t have a clear storyline from the get-go. KLY heroically stands between his cellphone-toting girlfriend and the robber who pulls out a gun. He blows a kiss and the video ends without a conclusion. But we get it. He’s ready to die for someone who has stronger feelings for a selfies than a human being.

‘Patience’ is surprising in that it doesn’t share the same storytelling qualities as other videos produced by Ambitiouz Entertainment. Sjava’s ‘Impilo’ and Saudi’s ‘Make You Proud’ follow clear narratives and have relatable characters in them. There are no real emotional triggers in ‘Patience’ and it should be used as an example of how not to write one-dimensional parts for complex human dynamics.

Artist: KLY
Video: Patience
Label, Year: Ambtiouz Entertainment

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