NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Concerts SA announces 2022 Digital Mobility Fund recipients

10 Mar 2022 - 13:50

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Concerts SA has released the names of the first recipients for the 2022 Digital Mobility Fund. The announcement follows an open call released in January. 

South African guitarist Madala Kunene is among the recipients.

The mobility fund is managed by cultural consulting firm Indigenous Knowledge Systems (IKS). Supported by the Royal Norwegian Embassy and the Southern African Music Rights Organisation (SAMRO), it is designed for local artists who want to present professional, high-quality performances.

“We only had sufficient funds for 50 grants but stretched around a little bit in our budgets and we came up with 60 grants,” IKS director André Le Roux told Music In Africa. “Thanks to the Norwegian embassy and SAMRO, which came on board, we were able to fund another 40 grants making them 100.”

Concerts SA considered proposals from music professionals for livestreamed or delayed broadcast performances with audiences. Each grant is worth up to R30 000 ($2 000).

Successful applicants include Madala Kunene, Sipho ‘Hotstix’ Mabuse, The Chanticleer Singers, Madosini, Louis Mhlanga and Bittereinder.

Below is the full list of recipients:

  1. Abahambayo
  2. Adam Glasser
  3. Amaeshi Ikechi
  4. Ashanti Tribe
  5. Asher Gamedze
  6. Aya kaMpama
  7. BCUC
  8. Bittereinder
  9. Blanka Mazimela
  10. Blondie Makhene
  11. Bobo Jay Nzima
  12. Bongi Mvuyana
  13. Cameron Ward
  14. Crosby Bolani and Azania Band
  15. Darren English Quartet
  16. Dashiki Dialogues with Percy Mabandu (Selaelo Selota)
  17. Della Tamin & Friends
  18. Driemanskap
  19. Dudu Makhoba
  20. Dylan Fine Quintet
  21. Elzabé Zietsman
  22. Flex of He & I
  23. Hanepoot Brass Band
  24. Herbie Tsoaeli
  25. Hlulani Hlangwane
  26. Ikati Esengxoweni
  27. iPhupho L’ka Biko
  28. Jerome Rex
  29. Jesse Mogale
  30. Jo Kunnuji Experiment
  31. Join Bands Not Gangs
  32. Kaybee Lebee
  33. Keegan Steenkamp
  34. Kekelingo
  35. Kenton Lee
  36. Kerolin Govender (Jivanmukta)
  37. Knockxy
  38. La Esperanza
  39. Lefa Mosea
  40. Lennox T
  41. Listo SA
  42. Louis Mhlanga
  43. Lu Dlamini featuring Intombi endala Bavikile
  44. Madala Kunene
  45. Madosini
  46. Maleh
  47. Masicule Choral Concert 2022
  48. Michael Bester
  49. Mntana.WeXhwele with Indigenous Frequency cast
  50. Motel Mari
  51. Mpho Molikeng
  52. Mpumi Dhlamini
  53. Mr Keys & The Funky Munks
  54. Mthunzi Mvubu and The Mzuli Group
  55. Muneeb Hermans Quintet
  56. Nakhane
  57. Ndivhuho NL
  58. Nhlanhla Dube
  59. Njabulo Nkabinde
  60. Nokuthula Fundama
  61. Nomisupasta
  62. Nothende Madumo
  63. Nur Felix
  64. Oceanico
  65. Omagugu
  66. PG13
  67. Roland Moses Trio
  68. S’bane
  69. Sabelo Soko
  70. Sakhile Simani Quartet
  71. Sarah Robyn Farrell
  72. Shameless Band
  73. Shane Cooper & Mabuta
  74. Shynin Armour
  75. Simba Ci
  76. Simthandile
  77. Sipho ‘Hotstix’ Mabuse
  78. Sister Sundays All Female Digital Concert ft. Umaah Screaming Sun, Nipho Hurd, Yashna, Lex LaFoy, DJ Panamera and DJ Carly O
  79. Snymaan Qabanation
  80. Solomon Willy
  81. Sun Xa Experiment
  82. Tankiso Mamabolo
  83. Thabiso Thabethe
  84. The Alvin Dyers Trio ft. Joe Schaffers
  85. The Chanticleer Singers
  86. The Forest Weaver
  87. The Joburg Jazz Quintet
  88. The Siya Charles Sextet
  89. The Texture of Silence
  90. Themba Mokoena
  91. Tich Makalisa Quartet
  92. Tsidii Le Loka
  93. Wandile Molefe
  94. Welaz Kabah Jazz Band
  95. WMF
  96. Wren Hinds
  97. Yahto Kraft
  98. Zaki Ibrahim
  99. Zarcia Zacheus
  100. Zenzi Makeba Lee

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