NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Condolences pour in after killing of SA radio presenter DJ Warras

17 Dec 2025 - 08:37

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Condolences have continued to pour in following the killing of South African radio and club DJ Warrick Stock, popularly known as DJ Warras, who was shot dead in Johannesburg’s central business district on 16 December.

The late DJ Warras.

His death comes amid heightened concern after a recent court case linked to South Africa’s law enforcement scandal included claims by the State that a criminal network has been targeting DJs in the province.

Stock’s sister, Nicole, confirmed his death in comments to local media, describing the moment she was informed of the shooting. “I’m still in shock; I haven’t processed it officially,” she said. “I’ve just touched his body, it’s still warm. I don’t actually have words. I don’t know what to say.

“I’m broken, I’m shattered because we know he was a voice for many people around the country and even around the world. You know, he spoke out bravely about so many issues that not many people will speak about. It’s truly a tremendous loss not only to us as a family, but to a nation as well.”

Minister of Sport, Arts and Culture Gayton McKenzie also reacted to the killing, expressing anger over the circumstances surrounding Stock’s death. “I’m very angry. DJ Warras was a patriot, he was a lover of this country. He spoke His truth without fear or favour. He even criticised me. He was a pure example of what and who we should be. Now why am I angry? Because he was totally against the hijacking of buildings,” McKenzie said.

Opposition politician Mmusi Maimane described the killing as a national shock and called for swift action from law enforcement. “The brazen murder of DJ Warras in broad daylight is a true shock to all South Africans. I offer my deepest condolences to his family, friends and fans in this difficult time,” he wrote on social media.

“We have lost one of the most outspoken and patriotic young South Africans. DJ Warras was someone who was a voice for many in this country. Someone whose blood and tears were fully committed to this nation. We call upon the police to act quickly to arrest the hitmen and to also apprehend those who made the order.”

Politician Mbuyiseni Dlozi also condemned the killing, linking it to broader concerns about violence in the country. “Sad news indeed. The murder of Warrick Stock, a.k.a DJ Warras is yet another episode of South Africa’s culture of violence. Our heartfelt condolences, especially to his family. May his soul rest in peace and his killers brought to swift justice! We need to silence the guns, win the streets back in our troubled country,” he said.

Born in Durban, Stock began his media career in radio and rose to prominence in 2008 after joining YFM. He later moved to 5FM and, in 2012, joined SABC1’s music programme Live AMP, where he served as a presenter for about six years.

In recent years, he co-hosted The Shady PHodcast alongside DJ PH and, earlier this year, hosted the local reality television show Ngicel’iVisa.

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