NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Constitutional Court ruling leaves SA’s copyright laws unchanged, says SAMRO

08 Jul 2026 - 13:58

cc-img flag-img

The Southern African Music Rights Organisation (SAMRO) says South Africa’s existing copyright framework remains unchanged following the Constitutional Court's judgment on the Copyright Amendment Bill (CAB) and the Performers' Protection Amendment Bill (PPAB).

SAMRO general manager legal Chola Makgamathe.

The Constitutional Court delivered its judgment on 26 June 2026, providing guidance on several constitutional questions relating to the Bills. While the ruling forms part of the country’s long-running copyright reform process, it does not bring the Copyright Amendment Bill into force or alter the current legal framework governing copyright.

According to the court, some of the provisions referred to it, including those relating to fair use, were not found to be unconstitutional on the specific grounds raised by the President. However, other provisions were declared unconstitutional, requiring Parliament to amend them before the Bills can proceed further through the legislative process.

“The Constitutional Court has provided important legal guidance on the constitutional questions referred to it, but it has also made it clear that this is not the final chapter in South Africa's copyright reform journey,” SAMRO general manager legal Chola Makgamathe said. “Further parliamentary processes must still take place and stakeholders retain the right to challenge any enacted provisions should constitutional concerns arise in future.”

SAMRO said the ruling means the Copyright Act of 1978 remains in force and that there are no immediate changes to the rights of creators or the obligations of music users. The organisation added that all existing SAMRO licences remain valid and enforceable.

The organisation also reiterated its concerns regarding the proposed fair use provisions. Although the Constitutional Court did not find the proposed framework unconstitutional on the grounds presented by the President, SAMRO said a broad fair use regime should include safeguards to protect the interests of copyright holders.

According to SAMRO, fair use systems in other jurisdictions have resulted in significant litigation as courts determine the limits of copyright exceptions. The organisation argued that creators operating in a digital marketplace increasingly shaped by global technology platforms and artificial intelligence require legal certainty and effective protection for their work.

“SAMRO supports copyright reform that enables education, innovation and access to knowledge,” Makgamathe said. “Equally, reform must preserve the economic incentives that enable composers, songwriters and music publishers to continue creating. South Africa's creative economy depends on striking an appropriate balance between public access and sustainable remuneration for creators.”

SAMRO said it has participated in the copyright reform process over the past decade alongside the Copyright Coalition of South Africa and other industry stakeholders, advocating for legislation that supports innovation while protecting the rights and livelihoods of creators.

The organisation noted that Parliament must now address the provisions declared unconstitutional before the Bills can continue through the legislative process.

“The judgment reinforces that copyright reform is not merely a legal exercise but one with major economic, cultural and developmental implications,” Makgamathe said. “South Africa has an opportunity to build a copyright framework that promotes creativity, investment and innovation while ensuring creators continue to receive fair recognition and remuneration for the use of their work. SAMRO will continue to engage constructively with Parliament, government and industry to help achieve that outcome.”

SAMRO said it would continue to monitor developments, engage with lawmakers and industry stakeholders, and keep its members and licensees informed as the legislative process progresses.

Please log in to post a comment.

Most popular

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media