NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Cover star interview: Nigeria’s Afro-house artist Damie

16 Jan 2026 - 13:47

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Rising Nigerian Afro-house artist and producer Damie joined Nandi Madida via FaceTime on Apple Music to talk about his latest single ‘One Minute’. He also discussed how he was introduced to Afro-house, working with Davido on his Grammy nominated album Timeless and being part of Apple Music’s Africa Rising Class of 2026.

Damie.

How he was introduced to Afro-house

For the longest time, I think electronic music and house music has always been my favourite genre. Like, I've always loved it like long time ago. I never got the chance to express that side of me for a long time until I went to my very first rave in 2023, and that was a living house. And then I went there and I saw how people were vibing and having so much fun and I was like, oh, there's a market for this in Lagos. And then I got so excited and like immediately inspired me to just go all the way in and just start doing it. And since then, I've really locked in.

Working with Davido on Grammy nominated album Timeless

It was really amazing. When it happened, I didn’t expect it was going to happen that way. Because when I even made the song originally, we didn't think, I didn't even think it would get to where it got to like interestingly. And everybody loved it so much. Like it was so, so exciting. And then it happened because it was unexpected. And it was so exciting. And like, I was so glad that that happened at that time. Uh, so on that, I didn't like really get to work with him directly. But because I linked with him through through Fave. We sent him the idea and he loved it. Yeah, I got it back. I mean, for that, I think it was the end of the year. Fave texted me. I don't know that, oh, she has a Christmas and new year gift for me. I was just wondering what it was. And then January came and then she sent the song to my phone and I saw Davido. I was like, oh, what? I was so excited.

How he knows he’s made a hit

You should see me when I’m making music. Like, I have to dance while I’m making music. If I'm not dancing, it means I don't like it. So I’m always dancing while I'm creating. Like it has to, once it connects with me, I believe it's going to connect with every other person. When I make music, it depends a lot on how I feel. So my emotions are usually like almost all the time poured into whatever I’m making. So like, yeah, and everybody has their own stories because even when in session, sometimes I might just make a beat. And when I made it, I felt a particular type of way. And then when I’m with writers and we're writing the song, somehow the stories always just connect to what I was feeling and I find it so interesting. So like when people listen out, it would be nice if they can connect their own stories to whatever they are listening to and just connect with it in their own way and, I don’t know, the music would just like tell the rest of the story.

Being part of the Class of 2026

Right, it’s so exciting. I mean, if you had told me last year, because all this started like two years ago and if you had told me last year that, oh, everything that's happening right now will happen, I would have doubted it a bit. But seeing it all happen is so exciting. Because I dropped my first single last year called ‘Only Me’ and everybody has been loving it so far. And the album as well and finding myself here right now, is so exciting. I don't have all the words to describe it. But yeah, I’m so glad.

Making the album

Okay, while I’m creating and then whatever conversation we’re having at that time can inspire what we write or whatever emotion either Emly or Black Boy is feeling at that moment could also like be the story. I think this for this one it was Emly that inspired it because obviously nobody has time for drama when it comes to love. Everybody just want to like make sure let's choose ourselves and love ourselves no matter what and just move all out and get just get on with our story, our love story. When we all started working, we're just experimenting. Just trying different sounds and see. This is we didn't know that this was where it was going to take us. We're just trying and then I think the very first song we made was call me if I'm correct. Yeah, I think that's the very first one we and we’re like, okay, we're up to something and we've been creating more and more songs.

What the title of his album Come Back means him

It was sang majorly in Yoruba language and it just basically saying, come back to your roots, come back to where you’ve been before, or come back home. So it’s just basically cultural calling everyone, come back to your roots and find the magic that is there. And obviously, there's so much magic on tap magic. But yeah, that’s basically it. Coming back to your roots.

The making of new single ‘One Minute’

Even that One Minute song, I made it because I haven't seen my parents like in 2023. I haven't seen them like all year, almost all the year. And then I went to spend Christmas at home in 2023. I think it was December and I was just like making a bunch of songs. And it was one of the songs that I made when I was home. And I didn't even expect it. When I made it, I was just so happy and I knew, this is it. I love it so much.

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